| Record ID | marc_marygrove/marygrovecollegelibrary.full.D20191108.T213022.internetarchive2nd_REPACK.mrc:192896220:3490 |
| Source | Marygrove College |
| Download Link | /show-records/marc_marygrove/marygrovecollegelibrary.full.D20191108.T213022.internetarchive2nd_REPACK.mrc:192896220:3490?format=raw |
LEADER: 03490cam a2200673 i 4500
001 ocn775780063
003 OCoLC
005 20191109071910.5
008 120131t20132013njua b 000 0 eng
010 $a 2012003718
040 $aDLC$beng$erda$cDLC$dYDX$dBTCTA$dERASA$dBDX$dUKMGB$dOCLCO$dYDXCP$dCDX$dBWX$dGZM$dSTF$dCOO$dCAD$dOCLCF$dP4I$dOCLCQ$dNYWWB$dOCLCQ$dZLM$dOCLCQ$dSFR$dUOK$dERR$dOCLCQ$dUKUOY$dUKTTE
015 $aGBB287791$2bnb
016 7 $a016162245$2Uk
019 $a1056832454
020 $a9780691150444$q(hardcover ;$qalk. paper)
020 $a0691150443$q(hardcover ;$qalk. paper)
020 $a9781400845149$q(ebk.)
020 $a1400845149
029 1 $aAU@$b000048559077
029 1 $aCHBIS$b007313927
029 1 $aCHVBK$b135976723
029 1 $aNZ1$b14678819
029 1 $aUKMGB$b016162245
035 $a(OCoLC)775780063$z(OCoLC)1056832454
037 $bPrinceton Univ Pr, California Princeton Fulfillment Center 1445 Lower Ferry rd, Ewing, NJ, USA, 08618$nSAN 630-639X
042 $apcc
050 00 $aN71$b.J68 2013
080 $a7.036:72.036 JOS
082 00 $a701$223
049 $aMAIN
100 1 $aJoselit, David.
245 10 $aAfter art /$cDavid Joselit.
264 1 $aPrinceton :$bPrinceton University Press,$c[2013]
264 4 $c©2013
300 $a116 pages :$bcolor illustrations ;$c20 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aPoint
504 $aIncludes bibliographical references (pages 97-113).
505 0 $aImage explosion -- Populations -- Formats -- Power.
520 $a"Art as we know it is dramatically changing, but popular and critical responses lag behind. In this trenchant illustrated essay, David Joselit describes how art and architecture are being transformed in the age of Google. Under the dual pressures of digital technology, which allows images to be reformatted and disseminated effortlessly, and the exponential acceleration of cultural exchange enabled by globalization, artists and architects are emphasizing networks as never before. Some of the most interesting contemporary work in both fields is now based on visualizing patterns of dissemination after objects and structures are produced, and after they enter into, and even establish, diverse networks. Behaving like human search engines, artists and architects sort, capture, and reformat existing content. Works of art crystallize out of populations of images, and buildings emerge out of the dynamics of the circulation patterns they will house."--Publisher's website.
590 $bInternet Archive - 2
590 $bInternet Archive 2
650 0 $aArt$xPsychology.
650 0 $aArt and society.
650 7 $aArt and society.$2fast$0(OCoLC)fst00815432
650 7 $aArt$xPsychology.$2fast$0(OCoLC)fst00815321
776 08 $iOnline version:$aJoselit, David.$tAfter art$w(OCoLC)1085906761
830 0 $aPoint (Princeton, N.J.)
856 41 $uhttp://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781400845149$zThis is also available as an e-book from
938 $aBrodart$bBROD$n102904308$c$19.95
938 $aBaker and Taylor$bBTCP$nBK0011132015
938 $aCoutts Information Services$bCOUT$n20921975
938 $aErasmus Boekhandel$bERAA$nNTS0000139849
938 $aWorldwide Books$bWWBK$n150388
938 $aYBP Library Services$bYANK$n7618988
994 $a92$bERR
976 $a31927002098884