| Record ID | marc_marygrove/marygrovecollegelibrary.full.D20191108.T213022.internetarchive2nd_REPACK.mrc:137766568:3878 |
| Source | Marygrove College |
| Download Link | /show-records/marc_marygrove/marygrovecollegelibrary.full.D20191108.T213022.internetarchive2nd_REPACK.mrc:137766568:3878?format=raw |
LEADER: 03878cam a2200757 a 4500
001 ocm42771875
003 OCoLC
005 20191109071254.3
008 991027s2000 njua bq 001 0 eng
010 $a 99055380
040 $aDLC$beng$cDLC$dCIT$dLVB$dBAKER$dNLGGC$dBTCTA$dYDXCP$dOCLCG$dHEBIS$dBDX$dOCLCF$dOCLCQ$dOCLCO$dOCLCQ$dTYC$dOCL$dOCLCO$dNTG$dUKUOY$dOCLCQ$dUKMGB
015 $aGBA356295$2bnb
016 7 $a012666841$2Uk
019 $a1022736891$a1062072853
020 $a081352802X$q(cloth ;$qalk. paper)
020 $a9780813528021$q(cloth ;$qalk. paper)
020 $a0813528038$q(pbk. ;$qalk. paper)
020 $a9780813528038$q(pbk. ;$qalk. paper)
029 1 $aAU@$b000021142197
029 1 $aAU@$b000024851790
029 1 $aGEBAY$b6326304
029 1 $aHEBIS$b093814526
029 1 $aNLGGC$b190341408
029 1 $aNZ1$b5415928
029 1 $aYDXCP$b1645168
029 1 $aYDXCP$b1645170
029 1 $aUKMGB$b012666841
035 $a(OCoLC)42771875$z(OCoLC)1022736891$z(OCoLC)1062072853
050 00 $aPN1998.3.M494$bB69 2000
082 00 $a791.43/0233/092$221
084 $a24.32$2bcl
049 $aMAIN
100 1 $aBowser, Pearl,$d1931-
245 10 $aWriting himself into history :$bOscar Micheaux, his silent films, and his audiences /$cPearl Bowser, Louise Spence.
260 $aNew Brunswick, N.J. :$bRutgers University Press,$c©2000.
300 $axxv, 288 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aFilmography: page 271.
504 $aIncludes bibliographical references (pages 223-269) and index.
505 00 $tWriting himself into history --$tIn search of an audience, p art I and II --$tWithin whose gates? The symbolic and political complexity of racial discourses --$tThe Symbol of the Unconquered and the terror of the other --$tBody and Soul and the burden of representation.
520 $aBowser (specialist in African and African American film) and Louise Spence (media studies, Sacred Heart U.) define and describe the audiences for black films while examining African American film director Micheaux's unique vision and contribution as an artist and novelist and its relation to his work as a filmmaker. With a focus on the first decade of his career, they place his work firmly within his social and cultural milieu, and examine his family background and life experience. They also provide a close textual analysis of his surviving silent films and highlight the rivalry between production companies, dilemmas of assimilation versus a separate cultural identity, and gender and class issues. Contains several b&w photographs.Annotation copyrighted by Book News, Inc., Portland, OR.
590 $bInternet Archive - 2
590 $bInternet Archive 2
600 10 $aMicheaux, Oscar,$d1884-1951$xCriticism and interpretation.
600 16 $aMicheaux, Oscar,$d1884-1951$xCritique et interprétation.
600 17 $aMicheaux, Oscar,$d1884-1951$2fast$0(OCoLC)fst00012442
600 17 $aMicheaux, Oscar.$2swd
650 0 $aRace films.
650 7 $aRace films.$2fast$0(OCoLC)fst01736846
650 17 $aStomme films.$2gtt
650 17 $aRassenverhoudingen.$2gtt
650 17 $aPubliek.$2gtt
650 07 $aFilm.$2swd
655 7 $aRace films.$2fast$0(OCoLC)fst01710372
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 7 $aRace films.$2lcgft
700 1 $aSpence, Louise,$d1945-
938 $aBaker & Taylor$bBKTY$c25.95$d25.95$i0813528038$n0003437739$sactive
938 $aBaker & Taylor$bBKTY$c52.00$d52.00$i081352802X$n0003437738$sactive
938 $aBrodart$bBROD$n55033970$c$25.95
938 $aBaker and Taylor$bBTCP$n99055380
938 $aYBP Library Services$bYANK$n1645168
994 $a92$bERR
976 $a31927000822863