MARC Record from Marygrove College

LEADER: 05997cam a2201009 a 4500
001 ocm40595338
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020 $a9781559725149$q(acid-free paper)
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084 $aI561.073$2clc
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049 $aMAIN
100 1 $aBrode, Douglas,$d1943-
245 10 $aShakespeare in the movies :$bfrom the silent era to Shakespeare in love /$cDouglas Brode.
260 $aOxford ;$aNew York :$bOxford University Press,$c2000.
300 $aix, 257 pages ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references and index.
500 $aIncludes index.
505 0 $aAn auspicious opening : The taming of the shrew -- The winter of our discontent : King Richard III -- Star-crossed lovers : Romeo and Juliet -- A fairy tale for grown-ups : A midsummer night's dream -- The hollow crown : Richard II, Henry IV parts I and II, Henry V -- Sophisticated comedy : Much ado about nothing, As you like it, Twelfth night -- A tide in men's lives : Julius Caesar -- I know not seems : Hamlet -- The green-eyed monster : Othello, the Moor of Venice -- Fatal vision : Macbeth -- A woman of infinite variety : Antony and Cleopatra -- Sans everything : King Lear -- You can't go home again : The winter's tale and The tempest -- Playing Shakespeare -- As we go to press.
520 1 $a"Unlike previous studies of Shakespeare's cinematic history, Shakespeare in the Movies proceeds chronologically, in the order that the plays were written, allowing the reader to trace the development of Shakespeare as an author - and an auteur - and to see how the changing cultural climate of the Elizabethans flowered into film centuries later. Douglas Brode provides historical background, production details, contemporary critical reactions, and his own incisive analysis, covering everything from the acting of Marlon Brando, Laurence Olivier, Richard Burton, and Gwyneth Paltrow, to the direction of Orson Welles, Kenneth Branagh, and others. Brode also considers the many films that, though not strict adaptations, contain significant Shakespearean content, such as West Side Story and Kurosawa's Ran and Throne of Blood. And Brode does not ignore the ignoble treatment the master has sometimes received. We learn, for instance, that the 1929 version of The Taming of the Shrew (which featured the eyebrow-raising writing credit: "By William Shakespeare, with additional dialogue by Sam Taylor") opens not so trippingly on the tongue - PETRUCHIO: "Howdy Kate." KATE: "Katherine to you, mug."" "For anyone wishing to cast a backward glance over the poet's film career and to understand his current big-screen popularity better, Shakespeare in the Movies is a definitive guide."--Jacket.
590 $bInternet Archive - 2
590 $bInternet Archive 2
600 10 $aShakespeare, William,$d1564-1616$vFilm adaptations.
600 17 $aShakespeare, William,$d1564-1616$2fast$0(OCoLC)fst00029048
600 17 $aShakespeare, William$d1564-1616$2gnd
600 17 $aShakespeare, William.$2swd
600 17 $aShakespeare, William,$d1564-1616$vFilm and video adaptations.$2sears
650 0 $aEnglish drama$vFilm adaptations.
650 0 $aFilm adaptations$xHistory and criticism.
650 7 $aEnglish drama$vFilm and video adaptations.$2cct
650 7 $aFilm adaptations.$2cct
650 7 $aEnglish drama.$2fast$0(OCoLC)fst00910737
650 7 $aFilm adaptations.$2fast$0(OCoLC)fst00924250
650 7 $aVerfilmung$2gnd
650 07 $aFilm.$2swd
650 7 $aEnglish drama$vFilm and video adaptations.$2sears
650 7 $aFilm adaptations.$2sears
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 7 $aFilm adaptations.$2fast$0(OCoLC)fst01710491
655 7 $aFilm adaptations.$2lcgft
856 41 $3Table of contents$uhttp://www.gbv.de/dms/bs/toc/313679924.pdf$zKostenfrei
938 $aBaker & Taylor$bBKTY$c40.00$d40.00$i0195139585$n0003434244$sactive
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