MARC Record from Marygrove College

LEADER: 04050cam a2200721 a 4500
001 ocm36942466
003 OCoLC
005 20191109072321.1
008 970425s1997 nhua b 001 0 eng
010 $a 97017034
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015 $aGB9856747$2bnb
019 $a40051103$a816428478
020 $a0819563153$q(alk. paper)
020 $a9780819563156$q(alk. paper)
020 $a0819563218$q(pbk. ;$qalk. paper)
020 $a9780819563217$q(pbk. ;$qalk. paper)
029 1 $aAU@$b000013240484
029 1 $aAU@$b000023994627
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029 1 $aNZ1$b4869568
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035 $a(OCoLC)36942466$z(OCoLC)40051103$z(OCoLC)816428478
050 00 $aGV1588.6$b.A43 1997
082 00 $a792.8$221
084 $aDAW02994676$2backup accession number
084 $a24.15$2bcl
049 $aMAIN
100 1 $aAlbright, Ann Cooper.
245 10 $aChoreographing difference :$bthe body and identity in contemporary dance /$cAnn Cooper Albright.
260 $a[Middletown, Conn.] :$bWesleyan University Press ;$aHanover, NH :$bUniversity Press of New England,$c©1997.
300 $axxvi, 216 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 205-210) and index.
505 0 $aMining the dancefield: feminist theory and contemporary dance -- Techno bodies: muscling with gender in contemporary dance -- Moving across difference: dance and disability -- Incalculable choreographies -- Dancing bodies and the stories they tell -- Embodying history: epic narrative and cultural identity in African-American dance.
520 1 $a"The choreographies of Bill T. Jones, Cleveland Ballet Dancing Wheels, Zab Maboungou, David Dorfman, Marie Chouinard, Jawole Willa Jo Zollar, and others, have helped establish dance as a crucial discourse of the 90s. These dancers, Ann Cooper Albright argues, are asking the audience to see the body as a source of cultural identity - a physical presence that moves with and through its gendered, racial, and social meanings. Though her articulate and nuanced analysis of contemporary choreography, Albright shows how the dancing body shifts conventions of representation and provides a critical example of the dialectical relationship between cultures and the bodies that inhabited them. As a dancer, feminist, and philosopher, Albright turns to the material experience of bodies, not just the body as a figure or metaphor, to understand how cultural representation becomes embedded in the body. In arguing for the intelligence of bodies, Choreographing Difference is itself a testimonial, giving voice to some important political, moral, and artistic questions of our time."--Jacket.
590 $bInternet Archive - 2
590 $bInternet Archive 2
650 0 $aModern dance$xSocial aspects.
650 0 $aModern dance$xPsychological aspects.
650 0 $aBody image.
650 0 $aIdentity (Psychology)
650 0 $aSex in dance.
650 7 $aBody image.$2fast$0(OCoLC)fst00835344
650 7 $aIdentity (Psychology)$2fast$0(OCoLC)fst00966892
650 7 $aModern dance$xPsychological aspects.$2fast$0(OCoLC)fst01024428
650 7 $aModern dance$xSocial aspects.$2fast$0(OCoLC)fst01024429
650 7 $aSex in dance.$2fast$0(OCoLC)fst01114460
650 17 $aDans.$2gtt
650 17 $aLichamelijkheid.$2gtt
650 17 $aIdentiteit.$2gtt
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938 $aBaker and Taylor$bBTCP$n97017034 //r97
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976 $a31927000602042