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MARC Record from Marygrove College

Record ID marc_marygrove/marygrovecollegelibrary.full.D20191108.T213022.internetarchive2nd_REPACK.mrc:122121647:5452
Source Marygrove College
Download Link /show-records/marc_marygrove/marygrovecollegelibrary.full.D20191108.T213022.internetarchive2nd_REPACK.mrc:122121647:5452?format=raw

LEADER: 05452cam a2200769 a 4500
001 ocm32854211
003 OCoLC
005 20191109072935.9
008 950706s1996 nyu b 001 0 eng
010 $a 95031767
040 $aDLC$beng$cDLC$dYHM$dC#P$dUKM$dMUQ$dNLGGC$dBTCTA$dBAKER$dYDXCP$dUAB$dZWZ$dHEBIS$dOCLCO$dOCLCF$dOCLCQ$dOCLCO$dOCL$dOCLCQ$dBUB
015 $aGB9655513$2bnb
019 $a35910547$a1120786665
020 $a0028708458$q(hardcover ;$qalk. paper)
020 $a9780028708454$q(hardcover ;$qalk. paper)
029 1 $aAU@$b000011784060
029 1 $aDEBSZ$b047979097
029 1 $aGEBAY$b2556740
029 1 $aHEBIS$b049444166
029 1 $aNLGGC$b139916180
029 1 $aNZ1$b4705341
029 1 $aZWZ$b024189480
035 $a(OCoLC)32854211$z(OCoLC)35910547$z(OCoLC)1120786665
050 00 $aML2829.4$b.G47 1996
082 00 $a782.4216/80943$222
084 $a24.61$2bcl
049 $aMAIN
245 00 $aGerman Lieder in the nineteenth century /$cedited by Rufus Hallmark.
260 $aNew York :$bSchirmer Books ;$aLondon :$bPrentice Hall International,$c©1996.
300 $axviii, 346 pages ;$c25 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aStudies in musical genres and repertories
504 $aIncludes bibliographical references and index.
505 00 $tLiterary context : Goethe as source and catalyst /$rHarry Seelig --$tFranz Schubert : the prince of song /$rSusan Youens --$tRobert Schumann : the poet sings /$rRufus Hallmark --$tJohannes Brahms : "Volkslied/Kunstlied" /$rVirginia Hancock --$tCrosscurrents in song : five distinctive voices /$rJürgen Thym --$tHugo Wolf : subjectivity in the Fin-de-Siécle Lied /$rLawrence Kramer --$tGustav Mahler : romantic culmination /$rChristopher Lewis --$tRichard Strauss : a lifetime of lied composition /$rBarbara A. Petersen --$tSong cycle : journeys through a romantic landscape /$rJohn Daverio --$tPerforming lieder : the mysterious mix /$rRobert Spillman.
520 $aThe repertory of the nineteenth-century German lied offers a world of expressiveness condensed into brief moments of musical time. This collection of essays by prominent scholars surveys representative works of the major lied composers, as well as the styles, forms, and poetry that characterize this body of music.
520 8 $aThe book begins with a chapter by Harry Seelig on the literary context of the nineteenth-century lied, arguing that Goethe practically single-handedly created German Romantic poetry and influenced poets and composers alike. Subsequent chapters focus on the contributions of individual lied composers. Susan Youens presents an overview of Schubert's songs and discusses in detail his text-setting and style in selected songs; Rufus Hallmark does the same for Schumann, extending his discussion to the composer's little-known late songs and songs for more than one voice; Virginia Hancock makes a case for treating Brahms's folk-tune and folk-lyric settings on an equal footing with his Kunstlieder; Lawrence Kramer examines Wolf's distinctive approach to the lied in light of the contemporary emergence of psychiatry; Barbara A.
520 8 $aPetersen discusses the broad range of musical aesthetics found in Richard Strauss's lifetime of lieder composition; and Christopher Lewis writes on the special way in which Mahler's songs evoke the Romantic dilemma. In counterpoint to these studies of the masters, Jurgen Thym's contribution highlights five composers whose lieder are less widely discussed and performed in English-speaking countries: Carl Loewe, Fanny Mendelssohn Hensel, Franz Liszt, Robert Franz, and Peter Cornelius; John Daverio writes on the song cycle as a reflection of Romantic imagery and aesthetics; and Robert Spillman emphasizes the practical issues of the singer's communication with an audience in German. Numerous music and text examples are used to illustrate the authors' points, and extensive notes and bibliographies accompany each essay.
590 $bInternet Archive - 2
590 $bInternet Archive 2
650 0 $aSongs, German$y19th century$xHistory and criticism.
650 0 $aMusic and literature$xHistory$y19th century.
650 6 $aChansons allemandes$y19e siècle$xHistoire et critique.
650 6 $aMusique et littérature.
650 7 $aMusic and literature.$2fast$0(OCoLC)fst01030479
650 7 $aSongs, German.$2fast$0(OCoLC)fst01126343
650 17 $aLiederen.$2gtt
650 17 $aDuits.$2gtt
650 7 $aLieder$zAllemagne$y19e siècle.$2ram
650 7 $aMusique et littérature.$2ram
650 07 $aKunstlied.$2swd
651 7 $aDeutsch.$2swd
651 4 $aGermany.
648 7 $a1800-1899$2fast
653 0 $aSongs
653 0 $aGermany
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
700 1 $aHallmark, Rufus E.,$d1943-
776 08 $iOnline version:$tGerman Lieder in the nineteenth century.$dNew York : Schirmer Books ; London : Prentice Hall International, ©1996$w(OCoLC)654394432
830 0 $aStudies in musical genres and repertories.
938 $aBaker & Taylor$bBKTY$c56.95$d56.95$i0028708458$n0002056364$sactive
938 $aBaker and Taylor$bBTCP$n95031767
938 $aYBP Library Services$bYANK$n9534
994 $a92$bERR
976 $a31927000727872