MARC Record from Marygrove College

LEADER: 04458cam a2200769 a 4500
001 ocm31783385
003 OCoLC
005 20191109071259.5
008 941214s1995 flu b 001 0 eng
010 $a 94048343
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035 $a(OCoLC)31783385$z(OCoLC)60282991
043 $an-us---
050 00 $aPS310.M57$bD67 1995
082 00 $a811/.509$220
084 $a811.509$220
084 $aHU 1760$2rvk
049 $aMAIN
100 1 $aDoreski, William.
245 14 $aThe modern voice in American poetry /$cWilliam Doreski.
260 $aGainesville :$bUniversity Press of Florida,$c©1995.
300 $axviii, 179 pages ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 168-173) and index.
505 0 $aFrost: lyric monologue and landscape -- Stevens: allegorical landscape and myth -- Williams and Moore: history and the colloquial style -- Eliot and Pound: political discourse and the voicing of difference -- Lowell: autobiography and vulnerability -- Epilogue: meditation and impersonality in contemporary poetry.
520 $aProposing that modern American poetry requires "limber criticism," informed but not straitjacketed by contemporary theory, William Doreski links the major American modernists to each other and to the larger social and cultural world. His concerns include voice, rhetoric, history, and interiority (imagination) and exteriority (landscape). Doreski examines the work of well-known poets - concentrating on Robert Frost, Wallace Stevens, William Carlos Williams, Marianne Moore, T.S. Eliot, Ezra Pound, and Robert Lowell, but also including Alan Dugan, Robert Pinsky, John Ashbery, and Louise Gluck - from a fresh angle, often focusing on less-discussed poems (such as Eliot's "Portrait of a Lady"). Modernist poets experienced a vast shift in the relationship between poetry and society. Two principal themes underlie Doreski's criticism of their work: first, that they turned to drama, prose fiction, and extraliterary sources to expand the rhetorical range of their poetics; second, that their poetry demonstrates their conflict between a responsibility to history, tradition, or society and their desire to generate a world of their own making.
590 $bInternet Archive - 2
590 $bInternet Archive 2
650 0 $aAmerican poetry$y20th century$xHistory and criticism.
650 0 $aModernism (Literature)$zUnited States.
650 1 $aModernism (Literature)$zUnited States.
650 6 $aPoésie américaine$y20e siècle$xHistoire et critique.
650 6 $aModernisme (Littérature)$zÉtats-Unis.
650 7 $aAmerican poetry.$2fast$0(OCoLC)fst00807348
650 7 $aModernism (Literature)$2fast$0(OCoLC)fst01024455
651 7 $aUnited States.$2fast$0(OCoLC)fst01204155
650 7 $aLyrik$2gnd
650 7 $aModerne$2gnd
651 7 $aUSA$2gnd
651 7 $aUSA.$2swd
648 7 $a1900-1999$2fast
653 $aAmerican poetry -- 20th century -- History and criticism
653 $aModernism (Literature) -- United States
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
856 41 $3Table of contents$uhttp://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=007020341&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
856 42 $3Publisher description$uhttp://catdir.loc.gov/catdir/enhancements/fy1211/94048343-d.html
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976 $a31927000495736