| Record ID | marc_marygrove/marygrovecollegelibrary.full.D20191108.T213022.internetarchive2nd_REPACK.mrc:114443256:3586 |
| Source | Marygrove College |
| Download Link | /show-records/marc_marygrove/marygrovecollegelibrary.full.D20191108.T213022.internetarchive2nd_REPACK.mrc:114443256:3586?format=raw |
LEADER: 03586cam a2200577 a 4500
001 ocm27109217
003 OCoLC
005 20191109071608.1
007 ta
008 920902s1982 nyug bf 001 0 eng
010 $a 89157689
040 $aDLC$beng$cDLC$dMRP$dBAKER$dBTCTA$dYDXCP$dIDA$dBDX$dOCLCO$dOCLCF$dOCLCQ$dIPU$dOCL$dKZK$dOCLCQ$dCSJ$dOCLCQ$dXFF$dOCLCQ$dCCH$dOKX$dOCLCQ$dBOS$dU3G$dOCL
019 $a8804486$a505748347$a1012061491$a1022643009$a1024157176$a1030291267$a1031084794$a1031918365$a1049215208$a1055829881$a1087114328
020 $a0393300528
020 $a9780393300529
029 1 $aAU@$b000003427169
029 1 $aNZ1$b2565000
029 1 $aNZ1$b4053742
035 $a(OCoLC)27109217$z(OCoLC)8804486$z(OCoLC)505748347$z(OCoLC)1012061491$z(OCoLC)1022643009$z(OCoLC)1024157176$z(OCoLC)1030291267$z(OCoLC)1031084794$z(OCoLC)1031918365$z(OCoLC)1049215208$z(OCoLC)1055829881$z(OCoLC)1087114328
050 00 $aML457$b.D63 1982
050 4 $aML193$b.D66 1982
082 00 $a780/.9/032$220
049 $aMAIN
100 1 $aDonington, Robert.
245 10 $aBaroque music :$bstyle and performance : a handbook /$cRobert Donington.
250 $aFirst American edition.
260 $aNew York :$bW.W. Norton & Company,$c1982.
300 $a206 pages :$bmusic ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
380 $aBibliography
504 $aIncludes bibliographical references (pages 172-193) and index.
505 0 $aAuthor's note -- Getting the feel -- Preparing the text -- Shaping the tempo -- Shaping the line -- Shaping the rhythm -- Accidentals -- Ornamenting the line -- Specific ornaments -- Accompaniment -- The sound -- References -- Further reading -- Index.
520 $a"How did Baroque music sound to its contemporaries? What did they say about its style and performance as that long and eventful period unfolded? Here is a book which brings together many of the answers and draws conclusions of great practical interest to musicians and audiences of today. How can we determine suitable tempi, rhythm, or dynamics from a notation which included few indications of these primary necessities? From the music itself, of course; but we need all the help that scholars can give us. Out of the teeming abundance and confusion of the contemporary evidence, Robert Donington has chosen, organized, and interpreted just that essential material which the modern musician needs to guide his own interpretive decisions. This book is not only a scholar's summary but a musician's testament. Performers may look here for an authentic grounding, while the enthusiastic amateur will be treated to an insight into that spirit of adventure which commends Baroque music so strongly to our generation."--Back cover.
590 $bInternet Archive - 2
590 $bInternet Archive 2
650 0 $aPerformance practice (Music)$xHistory$y17th century.
650 0 $aMusic$y17th century.
650 0 $aMusic$y18th century.
650 0 $aPerformance practice (Music)$xHistory$y18th century.
650 7 $aMusic$2fast$0(OCoLC)fst01030269
650 7 $aPerformance practice (Music)$2fast$0(OCoLC)fst01057874
648 7 $a1600-1799$2fast
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
938 $aBaker & Taylor$bBKTY$c17.95$d13.46$i0393300528$n0000641131$sactive
938 $aBrodart$bBROD$n33326207$c$18.95
938 $aBaker and Taylor$bBTCP$nbl 99928852
938 $aYBP Library Services$bYANK$n334934
994 $a92$bERR
976 $a31927000168424