MARC Record from Marygrove College

LEADER: 06067cam a2200841 a 4500
001 ocm25630062
003 OCoLC
005 20191109071357.4
008 920319s1993 enka b 001 0 eng
010 $a 92012565
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015 $aGB9357204$2bnb
019 $a29358776
020 $a0198161557
020 $a9780198161554
020 $a0198165765$q(pbk.)
020 $a9780198165767$q(pbk.)
029 1 $aAU@$b000008966898
029 1 $aAU@$b000012128192
029 1 $aAU@$b000022018598
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029 1 $aUKBCI$b056207484
029 1 $aUKBNS$b056207484
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035 $a(OCoLC)25630062$z(OCoLC)29358776
041 1 $aeng$hger
050 00 $aML410.B1$bB24513 1992
082 00 $a786/.146/092$220
084 $a786.4092$223
049 $aMAIN
100 1 $aBadura-Skoda, Paul.
240 10 $aBach-Interpretation.$lEnglish
245 10 $aInterpreting Bach at the keyboard /$cPaul Badura-Skoda ; translated by Alfred Clayton.
260 $aOxford :$bClarendon Press ;$aNew York :$bOxford University Press,$c1993.
300 $axvi, 573 pages :$billustrations ;$c25 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aTranslation of: Bach-Interpretation.
504 $aIncludes bibliographical references and indexes.
505 00 $gpt. I.$tGeneral Problems of Interpretation.$g1.$tAn Authentic Eighteenth-Century Performance Source: C.F. Colt's Organ-Barrels.$g2.$tStudies in Rhythm.$g3.$tIn Search of the Correct Bach Tempo.$g4.$tBach's Articulation.$g5.$tDynamics.$g6.$tProblems of Sonority.$g7.$tProblems of Harpsichord and Piano Technique, and of Expressive Playing.$g8.$tThe Urtext Problem: An Imaginary Interview.$g9.$tRendering the Structure as a Whole.$g10.$tPrelude in E flat minor and Fugue in D sharp minor, WTC I, BWV 853. An Analysis for Performance --$gpt. II.$tStudies in Ornamentation.$g11.$tIntroduction.$g12.$tThe Development of Ornamentation in the Seventeenth and Eighteenth Centuries.$g13.$tJ.S. Bach's Ornaments: Some General Remarks.$g14.$tPralltriller.$g15.$tAppoggiaturas.$g16.$tThe Longer Trill.$g17.$tBach's Mordent.$g18.$tArpeggios.$g19.$tThe Application of Ornaments that are not Notated.$g20.$tFree Embellishments in Bach's Keyboard Works.$tAppendix 1. Some Recommended Editions of Bach's Keyboard Works --$tAppendix 2. Some Textual and Interpretational Problems in Bach's Chromatic Fantasia and Fugue, BWV 903 --$tAppendix 3. J.M. Gesner, 'Johann Sebastian Bach as Conductor, Keyboard Player, and Organist' (Gottingen, 1738) --$tAppendix 4. Excerpt from the Article 'Takt' in J.G. Sulzer's Allgemeine Theorie der schonen Kunste, vol. ii (Leipzig, 1774) --$tAppendix 5. The Dedication of Partita No. 1 (BWV 825) and the Dedicatory Poem.
520 $a"The ever-increasing number of performances of Bach's music is a sign of its enduring vitality. But perhaps no other composer is subject to such a wide diversity of interpretation--assessing the merits of these many interpretations and unravelling the sources and documents on which they are based can be extremely difficult for the modern performer. In this important new book, Paul Badura-Skoda draws on forty years of studying and performing Bach to present startling new insights into many different aspects of Bach's music. He looks at rhythm, tempo, articulation, and dynamics; examines the instruments for which Bach's music was intended, and considers problems of sonority. He then discusses ornamentation in depth, analyzing each of the signs and symbols used by Bach, and argues that much of Bach's ornamentation in current performance is monotonous and fails to reflect the actual Baroque style. Sometimes contentious, always stimulating, Badura-Skoda's book conveys a passion for an informed interpretation of Bach's music based on a recognition and respect for Bach's actual intentions. Copiously illustrated with musical examples, the book will take its place as a standard work for all students and performers of Bach's ever-popular keyboard music."--Publisher's description.
590 $bInternet Archive - 2
590 $bInternet Archive 2
600 10 $aBach, Johann Sebastian,$d1685-1750.$tHarpsichord music.
600 16 $aBach, Johann Sebastian,$d1685-1750.$tMusique,$mde clavecin.
600 16 $aBach, Johann Sebastian,$d1685-1750$xInterprétations.
600 14 $aBach, Johann Sebastian,$d1685-1750.
630 07 $aHarpsichord music (Bach, Johann Sebastian)$2fast$0(OCoLC)fst01361157
650 0 $aHarpsichord music$xInterpretation (Phrasing, dynamics, etc.)
650 0 $aPerformance practice (Music)$xHistory$y18th century.
650 6 $aPratique de l'exécution (Musique)$y18e siècle.
650 6 $aOrnementation (Musique)
650 7 $aPerformance practice (Music)$2fast$0(OCoLC)fst01057874
648 7 $a1700-1799$2fast
653 0 $aInterpretation (Music)
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
776 08 $iOnline version:$aBadura-Skoda, Paul.$sBach-Interpretation. English.$tInterpreting Bach at the keyboard.$dOxford : Clarendon Press ; New York : Oxford University Press, 1993$w(OCoLC)872659939
856 41 $3Table of contents$uhttp://catdir.loc.gov/catdir/enhancements/fy0636/92012565-t.html
856 42 $3Publisher description$uhttp://catdir.loc.gov/catdir/enhancements/fy0636/92012565-d.html
938 $aBaker & Taylor$bBKTY$c59.00$d59.00$i0198161557$n0002117042$sactive
938 $aBaker and Taylor$bBTCP$n92012565
938 $aYBP Library Services$bYANK$n110941
938 $aYBP Library Services$bYANK$n111130
994 $a92$bERR
976 $a31927001055059