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MARC Record from Marygrove College

Record ID marc_marygrove/marygrovecollegelibrary.full.D20191108.T213022.internetarchive2nd_REPACK.mrc:102512098:5965
Source Marygrove College
Download Link /show-records/marc_marygrove/marygrovecollegelibrary.full.D20191108.T213022.internetarchive2nd_REPACK.mrc:102512098:5965?format=raw

LEADER: 05965cam a2201057 i 4500
001 ocm18105481
003 OCoLC
005 20191109071655.5
008 880524s1989 enkaf b 001 0 eng
010 $a 88019009
040 $aDLC$beng$erda$cDLC$dUKM$dMUQ$dNLGGC$dBAKER$dBTCTA$dYDXCP$dSINLB$dDEBBG$dTLC$dH2K$dOCLCQ$dGBVCP$dOCLCO$dUKDBK$dOCLCF$dOKX$dOCLCQ$dOCL$dEIS$dOCLCO$dUEJ$dNLC$dOCLCQ$dOCLCO$dNMC$dOCLCQ$dTYC$dOCLCQ$dBOS$dAU@$dOCLCQ$dOCLCO
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016 $a(AMICUS)000008171216
016 7 $a019-31524$2Uk
019 $a18326641$a24849196$a318425559
020 $a0193152401$q(hbk.)
020 $a9780193152403$q(hbk.)
020 $a0198162863
020 $a9780198162865
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035 $a(OCoLC)18105481$z(OCoLC)18326641$z(OCoLC)24849196$z(OCoLC)318425559
050 00 $aML410.M9$bZ28 1989
055 02 $aML410*
082 00 $a785.1/1/0924$219
083 0 $a780.92
084 $a24.50$2bcl
084 $a24.64$2bcl
084 $aLP 40440$2rvk
084 $aLP 40428$2rvk
084 $aMUS 29$2sfb
084 $aMUS 550 MO 9$2sfb
084 $aMUS 715 MO$2sfb
049 $aMAIN
100 1 $aZaslaw, Neal,$d1939-
245 10 $aMozart's symphonies :$bcontext, performance practice, reception /$cNeal Zaslaw.
264 1 $aOxford :$bClarendon Press,$c[1989]
264 4 $c©1989
300 $axxv, 617 pages, 16 pages of plates :$billustrations ;$c26 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 569-600) and index.
520 $a"Mozart's symphonies have received rather less critical attention than his operas and piano concertos, and this book is the first serious attempt in any language to survey the entire panorama of his symphonic works. Accounting for every symphony associated with Mozart involves the identification and evaluation of nearly 100 symphonies. Professor Zaslaw places each symphony in its mu-sical and cultural context, and addresses such questions as how and why the symphonies were written, how they were disseminated, who paid for them, who played them, who listened to them, and what those involved thought of them. The role of the symphony in Mozart's creative life and his contribution to the genre are also examined. An important element of the book is the consideration given to what is known about how Mozart's symphonies and those of his contemporaries were per-formed. An entire chapter is devoted to the whole question of orchestral perform-ance practice in the eighteenth century, and information that might clarify the nature of the performances documented is given throughout the book. Although Mozart's Symphonies is neither a biography as conventionally understood nor a study in musical analysis or criticism, those interested in Mozart's life and the music itself will find here much that is new in the way of fact and interpretation."--Publisher's description.
505 0 $aSalzburg (I): origins (1756-1764) -- The grand tour (I): London (1764-1765) -- The grand tour (II): Holland--France--Switzerland--Bavaria (1765-1766) -- The Sinfonia da Chiesa, and Salzburg (1766-1767) -- Vienna (I): orchestra land (1767-1768) -- Lambach and Salzburg (1769) -- Italy: Fons et Origo (1769-1773) -- Salzburg (II): limbo (1770-1777) -- Mannheim and Paris: frustration (1777-1778) -- Salzburg (III): serfdom (1779-1780) -- Vienna (II): independence (1780-1791) -- Performance practice -- Meanings for Mozart's symphonies -- Appendices. A. The status of 98 symphonies ; B. Concordance ; C. Leopold Mozart's 'Report' ; D.A brief history of the Köchel catalogue ; E. Czerny's Tempos for Twelve Early Symphonies ; F. The 'missing' bassoon parts for the 'Paris' symphony.
541 $cGift;$aMs. Rachel Galvan;$d2014.
590 $bInternet Archive - 2
590 $bInternet Archive 2
600 10 $aMozart, Wolfgang Amadeus,$d1756-1791.$tSymphonies.
600 16 $aMozart, Wolfgang Amadeus,$d1756-1791.$tSymphonies.
630 07 $aSymphonies (Mozart, Wolfgang Amadeus)$2fast$0(OCoLC)fst01357143
600 17 $aMozart, Wolfgang Amadeus.$2swd
650 0 $aPerformance practice (Music)$xHistory$y18th century.
650 0 $aSymphony.
650 6 $aSymphonie.
650 7 $aPerformance practice (Music)$2fast$0(OCoLC)fst01057874
650 7 $aSymphony.$2fast$0(OCoLC)fst01140966
650 17 $aSymfonieën.$2gtt
650 17 $aUitvoeringspraktijk.$2gtt
650 7 $aSinfonie$2gnd
648 7 $a1700-1799$2fast
653 $aAustria
653 $aSymphonies
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
776 08 $iOnline version:$aZaslaw, Neal, 1939-$tMozart's symphonies.$dOxford [Oxfordshire] : Clarendon Press ; New York : Oxford University Press, 1989$w(OCoLC)639573962
856 42 $3Publisher description$uhttp://catdir.loc.gov/catdir/enhancements/fy0636/88019009-d.html
938 $aBaker & Taylor$bBKTY$c65.00$d65.00$i0193152401$n0006904178$sactive
938 $aBaker & Taylor$bBKTY$c143.00$d143.00$i0198162863$n0001995780$sactive
938 $aBaker and Taylor$bBTCP$n88019009$c$75.00 (U.S.)
938 $aDawson Books$bDAWN$nDAW00610396
938 $aYBP Library Services$bYANK$n111026
994 $a92$bERR
976 $a31927001054722