| Record ID | marc_loc_updates/v40.i20.records.utf8:17597655:1481 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_updates/v40.i20.records.utf8:17597655:1481?format=raw |
LEADER: 01481nam a2200337 a 4500
001 2012562492
003 DLC
005 20120514140312.0
008 120507s2011 mauag er 001 0 eng
010 $a 2012562492
020 $a9780876391228 (pbk)
020 $a0876391226 (pbk)
024 0 $a884088409005
028 30 $aHL50449604$bHal Leonard
035 $a(OCoLC)ocn785315466
035 $a(OCoLC)785315466
040 $aAU@$beng$cAU@$dDLC
042 $alccopycat
050 00 $aMT64.M65$bS35 2011
082 04 $a781.54213$223
100 1 $aSchifrin, Lalo.
245 10 $aMusic composition for film and television /$cLalo Schifrin ; edited by Jonathan Feist.
260 $aBoston, Mass. :$bBerklee,$cc2011.
300 $aviii, 278 p. :$bill., music ;$c31 cm.
500 $aAt head of title: Music composition: film scoring.
500 $aIncludes index.
505 0 $aFilm and music -- Phases of the writing process -- The interval relationship of different moods -- Action music -- Suspense -- Special genres -- Synchronization techniques -- Dialogue and sound effects -- The function of the human voice -- Cinematic devices -- Ethnic and period music -- Beginnings, connections, and endings -- Different genres -- Studio-composer relationships -- Fantasy for screenplay and orchestra -- "Coda".
650 0 $aMotion picture music$xInstruction and study.
650 0 $aTelevision music$xInstruction and study.
650 0 $aComposition (Music)
700 1 $aFeist, Jonathan.