| Record ID | marc_loc_updates/v40.i08.records.utf8:22734258:1426 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_updates/v40.i08.records.utf8:22734258:1426?format=raw |
LEADER: 01426nam a22003498a 4500
001 2012006246
003 DLC
005 20120215185548.0
008 120210s2012 vtu b 001 0deng
010 $a 2012006246
020 $a9780754668442 (v. 1 : hardcover : alk. paper)
020 $a9780754668459 (v. 2 : hardcover : alk. paper)
040 $aDLC$cDLC
042 $apcc
050 00 $aMT6$b.T46 2012
082 00 $a780.1/48$223
245 00 $aThomas Salmon :$bwritings on music /$c[editorial noes by] Benjamin Wardhaugh.
260 $aBurlington, VT :$bAshgate,$cc2012.
263 $a1208
300 $av. cm.
490 0 $aMusic theory in Britain, 1500-1700. Critical editions
504 $aIncludes bibliographical references and index.
505 0 $aVolume I. An essay to the advancement of musick and the ensuing controversy, 1672-3 -- Volume II. A proposal to perform musick and related writings, 1685-1706.
600 10 $aSalmon, Thomas,$d1648-1706$xCriticism and interpretation.
600 10 $aLocke, Matthew,$d1621 or 2-1677$xCriticism and interpretation.
650 0 $aMusic theory$xEarly works to 1800.
650 0 $aMusical intervals and scales$xEarly works to 1800.
650 0 $aMusical notation$xEarly works to 1800.
650 0 $aMusical temperament$xEarly works to 1800.
700 1 $aWardhaugh, Benjamin,$d1979-
700 1 $aSalmon, Thomas,$d1648-1706.
700 1 $aLocke, Matthew,$d1621 or 2-1677.