MARC Record from Library of Congress

LEADER: 01701cam a22003134a 4500
001 2011014822
003 DLC
005 20120109154913.0
008 110420s2011 iau b s001 0 eng
010 $a 2011014822
020 $a9781609380731 (pbk. : alk. paper)
020 $a1609380738 (pbk. : alk. paper)
035 $a(OCoLC)ocn714111896
040 $aDLC$cDLC$dYDX$dYDXCP$dCDX$dBWX$dDLC
042 $apcc
043 $an-us-ca
050 00 $aPS285.L7$bM65 2011
082 00 $a811/.5409979494$222
100 1 $aMohr, Bill.
245 10 $aHold-outs :$bthe Los Angeles poetry renaissance, 1948-1992 /$cBill Mohr.
260 $aIowa City :$bUniversity of Iowa Press,$c2011.
300 $axxii, 217 p. ;$c23 cm.
490 1 $aContemporary North American poetry series
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction: rear projections: marginal communities and the outlaws of the revisionist cano -- The cartography of dissidence: Los Angeles and literary history on the West Coast -- Thinking alone in company: L.A. literary magazines during the Cold War -- I cannot imagine the extent of their aloneness: Venice West and the new American poetry -- Left-handed blows: beyond baroque and the Los Angeles poetry Renaissance -- Faultline communities: multiculturalism, stand-up, spoken word, and the maverick avant-garde in Los Angeles -- Afterword: the subjunctive legacy of the West Coast poetry renaissance.
650 0 $aAmerican poetry$zCalifornia$zLos Angeles$xHistory and criticism.
650 0 $aAmerican poetry$y20th century$xHistory and criticism.
651 0 $aLos Angeles (Calif.)$xIn literature.
830 0 $aContemporary North American poetry series.