MARC Record from Library of Congress

LEADER: 01649cam a22003014a 4500
001 2011016505
003 DLC
005 20111216091727.0
008 110425s2011 enk bq 001 0 eng
010 $a 2011016505
016 7 $a015830565$2Uk
020 $a9781441122575 (hardback)
020 $a1441122575 (hardback)
020 $a9781441153432 (pbk.)
020 $a1441153438 (pbk.)
035 $a(OCoLC)ocn657603139
040 $aDLC$cDLC$dYDX$dBTCTA$dYDXCP$dUKMGB$dIAD$dCDX$dBWX$dDLC
042 $apcc
050 00 $aPN1995$b.S514 2011
082 00 $a791.4301$222
100 1 $aSinnerbrink, Robert.
245 10 $aNew philosophies of film :$bthinking images /$cRobert Sinnerbrink.
260 $aLondon ;$aNew York :$bContinuum International Pub. Group,$cc2011.
300 $ax, 247 p. ;$c22 cm.
504 $aIncludes bibliographical references and index.
504 $aIncludes filmography.
505 0 $aIntroduction: why did philosophy go to the movies? -- The analytic-cognitivist turn. The empire strikes back: critiques of "grand theory" -- The rules of the game: new ontologies of film -- Adaptation: philosophical approaches to narrative -- From cognitivism to film-philosophy. A.I.: cognitivism goes to the movies -- Bande à part: Deleuze and Cavell as film-philosophers -- Scenes from a marriage: film as philosophy -- Cinematic thinking. Hollywood in trouble: David Lynch's Inland empire -- "Chaos reigns": anti-cognitivism in Lars von trier's Antichrist -- Song of the earth: cinematic romanticism in Malick's The new world -- Coda: "the six most beautiful minutes in the history of cinema".
650 0 $aMotion pictures$xPhilosophy.