MARC Record from Library of Congress

LEADER: 01963cam a22004934a 4500
001 2005028147
003 DLC
005 20110901103836.0
008 050926s2006 enka b 001 0 eng
010 $a 2005028147
015 $aGBA612182$2bnb
015 $aGBA612184$2bnb
016 7 $a013375195$2Uk
016 7 $a013375197$2Uk
020 $a0415371562 (hbk. : alk. paper)
020 $a9780415371568 (hbk. : alk. paper)
020 $a041537247X (pbk. : alk. paper)
020 $a9780415372473 (pbk. : alk. paper)
020 $a0203969502 (ebk.)
020 $a9780203969502 (ebk.)
020 $a9780415371568 (hbk. : alk. paper)
020 $a9780415372473 (pbk. : alk. paper)
020 $a9780203969502 (ebk.)
035 $a(OCoLC)ocm61864151
040 $aDLC$beng$cDLC$dUKM$dBAKER$dBWKUK$dCOO$dOCLCQ$dBTCTA$dYDXCP$dPUL$dSTF$dNLGGC$dOCLNG$dHEBIS$dEUM$dOCLCQ$dZWZ$dYUS$dDLC
042 $apcc
043 $ae-uk---
050 00 $aGV1588.6$b.C55 2006
082 00 $a792.8$222
084 $a24.16$2bcl
100 1 $aClaid, Emilyn.
245 10 $aYes? no! maybe-- :$bseductive ambiguity in dance /$cEmilyn Claid.
260 $aLondon ;$aNew York :$bRoutledge,$c2006.
300 $ax, 245 p. :$bill. ;$c23 cm.
504 $aIncludes bibliographical references (p. [215]-232) and index.
520 $aCovering 50 years of British dance from Margot Fonteyn to modern innovators such as Wendy Houston and Nigel Charnock, this work covers shifts in performance-spectator relationships and investigates questions such as subjectivity, gender and race from a variety of theoretical perspectives.
650 0 $aDance$xSocial aspects.
650 0 $aDance$xPhilosophy.
650 0 $aSeduction$xPsychological aspects.
650 0 $aAudiences.
650 0 $aGender identity in dance.
600 10 $aClaid, Emilyn.
650 0 $aDance$zGreat Britain$xHistory.
856 41 $3Table of contents$uhttp://catdir.loc.gov/catdir/toc/ecip061/2005028147.html