| Record ID | marc_loc_updates/v39.i34.records.utf8:17028633:1565 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_updates/v39.i34.records.utf8:17028633:1565?format=raw |
LEADER: 01565nam a22002538a 4500
001 2011034633
003 DLC
005 20110822134410.0
008 110819s2011 ncu b 001 0 eng
010 $a 2011034633
020 $a9780786459100 (softcover : alk. paper)
040 $aDLC$cDLC
042 $apcc
050 00 $aPN1995.9.E96$bV48 2011
082 00 $a791.43/611$223
100 1 $aVerrone, William.
245 14 $aThe avant-garde feature film :$ba critical history /$cWilliam E. B. Verrone.
260 $aJefferson, N.C. :$bMcFarland & Company, Inc., Publishers,$c2011.
263 $a1110
300 $ap. cm.
520 $a"Here is a critical and historical overview of unconventional and aesthetically challenging films, all of feature length. The author focuses on the particular forms of contemporary avant-garde films, which often rely on characteristics associated with historical films of the same genre"--Provided by publisher.
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction -- Avant-garde film: history, theory and criticism. What is an avant-garde film? -- The historical avant-gardes and the styles of inflence for the avant-garde feature film -- Case studies -- The real avant-garde. Some considerations of the inflence of the real avant-garde -- Case studies -- The contemporary avant-garde feature film. Underground film and the avant-garde -- Types of avant-garde feature films -- The contemporary avant-garde feature film -- Case studies -- Conclusion.
650 0 $aExperimental films$xHistory and criticism.