MARC Record from Library of Congress

LEADER: 04692nam a2200385 a 4500
001 2010444570
003 DLC
005 20110707083552.0
008 100717s2009 enkaf b 100 0 eng
010 $a 2010444570
015 $aGBA9B2234$2bnb
016 7 $a015422551$2Uk
020 $a9781904982524 (pbk.)
020 $a1904982522 (pbk.)
035 $a(OCoLC)ocn467782135
040 $aUKM$cUKM$dCDX$dN15$dYDXCP$dNLF$dC#P$dERASA$dBWX$dDLC
042 $alccopycat
050 00 $aN7430$b.A6975 2009
082 04 $a702.809$222
110 2 $aArt Technological Source Research (Study group).$bSymposium$n(3rd :$d2009 :$cUniversity of Glasgow)
245 00 $aSources and serendipity :$btestimonies of artists' practice /$ceditors, Erma Hermens and Joyce H. Townsend.
246 30 $aTestimonies of artists' practice
260 $aLondon :$bArchetype,$c2009.
300 $aix, 164 p., [18] p. of plates :$bill. (some col.) ;$c30 cm.
500 $a"Proceedings of the third symposium of the Art Technological Source Research Working Group."
500 $aSelected conference papers.
504 $aIncludes bibliographical references.
505 00 $tVirtues and vices in late medieval art productions: the painter's progress to hell /$rManfred Lautenschlager --$tCodicological indicators of practical medieval artists' recipes /$rMark Clarke --$tImpossible recipes /$rSpike Bucklow --$tRomanian handbooks on manuscript illumination in the 18th century /$rMarta Ursescu and Sorin Ciovica --$tArt for war : washing materials and techniques in Spanish military mapmaking /$rStefanos Kroustallis --$tCopper pigments in medieval times : green, blue, greenish-blue or bluish-green? /$rCatarina Miguel, Ana Claro, João A. Lopes and Maria João Melo --$tDocumentary sources for the use of moulds in the production of tin relief : cause and effect /$rJilleen Nadolny --$tWriting recipes for non-specialists c.1300 : the Anglo-Latin Secretum philosophorum, Glasgow MS Hunterian 110 /$rMark Clarke --$tComparative analysis of painting recipes : a new contribution to the study of the texts of the Strasbourg family /$rSylvie Neven --$tImages of copper engravers and plate printers in their workshops 1545-1645 : 'One picture tells more than a thousand words' /$rAd Stijnman
505 00 $tFine art materials in Vigani's cabinet (1704) at Queens' College, Cambridge /$rLisa Wagner --$tThe master's own hand? Contribution to the study of Rubens' retouching of monumental formats /$rHélène Dubios --$tOudry's painted menagerie: a technical study with reference to the artist's lectures on painting technique /$rAlan Phenix, Tiarna Doherty, Anna Schönemann and Adriana Rizzo --$tStudying the artistic process : Kupelwieser's fresco series History of Austria /$rSigrid Eyb-Green, Wolfgang Baatz and Werner Kitlitschka --$tEn plein soleil : Whistler, nature and memory /$rErma Hermens and Margaret F. MacDonald --$t'To acquire a good name' : specimens of 19th-century Persian tile-making from the Tehran workshop of the master potter Ali Muhammad Isfahani /$rLore Troalen, Ina Reiche, Stefan Röhrs, Boris Pretzel, Lucia Burgio, Bhavesh Shah, Stéphane Peschard, Clotilde Boust, Jim Tate, Graham Martin and Friederike Voigt --$tÁ la recherche du pigment perdu : a project on less well-known 19th-century pigments /$rHartmut Kutzke and Doris Oltrogge --$tTechnique and process in the papers of David Smith /$rRichard Mullholland --$tChallenging the material : the artist's interview as a documentary source in the 1980s and 1990s /$rPaivi Kyllonen-Kunnas --$tStudy of materials and techniques used in a 15th-century Romanian illuminated manuscript /$rIleana Zizi Balta, Gheorghe Niculescu, Irina Petroviciu, Bruno Brunetti, Laura Cartechini, Francesca Rosi, Brenda Doherty, Alessandro Sassolini, Mihai Lupu and Ileana Cretu
505 00 $tTracing the history of wall paintings through visual documents : the vault painting of the main hall at Verdala Palace, Malta /$rTheodora Fardi, Roberta De Angelis, Bernadine Scicluna and Daniel Vella --$tStudy of a Portuguese 18th-century manuscript /$rAna Freitas, Ana Claro, Maria João Melo, Conceição Casanova and Laura Moura --$tDe/re-constructing Turner for research projects at Tate /$rJoyce H. Townsend, Jacob Thomas, Charlotte Caspers, Monserrat Pis Marcos, Anna Brookes, Bronwyn Ormsby, Stephen Hackney and Andrew Lerwill --$tThe archives of Blockx, an Antwerp family of chemist-colourmen, founded 1865 /$rBrian Dudley Barrett.
650 0 $aArt$xTechnique$vCongresses.
650 0 $aArt and technology$vCongresses.
700 1 $aHermens, Erma,$d1958-
700 1 $aTownsend, Joyce.
710 2 $aArt Technological Source Research (Study group)