| Record ID | marc_loc_updates/v39.i26.records.utf8:7374095:1370 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_updates/v39.i26.records.utf8:7374095:1370?format=raw |
LEADER: 01370cam a22002414a 4500
001 2010024453
003 DLC
005 20110625093120.0
008 100611s2010 caua b s001 0 eng
010 $a 2010024453
020 $a9780520260429 (cloth : alk. paper)
040 $aDLC$cDLC$dDLC
043 $ae-gx---
050 00 $aN72.H58$bC47 2010
082 00 $a709.430904$222
100 1 $aChametzky, Peter,$d1958-
245 10 $aObjects as history in twentieth-century German art :$bBeckmann to Beuys /$cPeter Chametzky.
260 $aBerkeley :$bUniversity of California Press,$c2010.
300 $axi, 286 p. :$bill. ;$c27 cm.
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction. Art objects as history -- Titanic sinks, departure arrives. Max Beckmann's melodramatic role in the fall of history painting and rise of the historical object -- Lost and found Dada objects and subjects. George Grosz, Hannah Höch, and German Jewish identity -- Objects of interpretation. Grosz's Germany: a winter's tale -- Absender: ich. Willi Baumeister's anti-Nazi works as objects of (s)exchange -- Sculpture and crime. Arno Breker -- From muscle men to fatty remains. Joseph Beuys's sculptural objects beyond objecthood -- Conclusion. Beyond Beuys: Gerhard Richter's choice.
650 0 $aArt and history$zGermany.
650 0 $aArt, German$y20th century.