It looks like you're offline.
Open Library logo
additional options menu

MARC Record from Library of Congress

Record ID marc_loc_updates/v39.i10.records.utf8:4808919:2008
Source Library of Congress
Download Link /show-records/marc_loc_updates/v39.i10.records.utf8:4808919:2008?format=raw

LEADER: 02008cam a2200325 a 4500
001 2009052649
003 DLC
005 20110302085705.0
008 091228s2010 inua b s001 0 eng
010 $a 2009052649
015 $aGBB055366$2bnb
016 7 $a015540773$2Uk
020 $a9780253355065 (cl : alk. paper)
020 $a0253355060 (cl : alk. paper)
020 $a9780253222169 (pb : alk. paper)
020 $a0253222168 (pb : alk. paper)
035 $a(OCoLC)ocn432994670
040 $aDLC$cDLC$dYDX$dBTCTA$dYDXCP$dUKM$dCDX$dBWX$dDLC
050 00 $aP47$b.G73 2010
082 00 $a801/.959$222
100 1 $aGreetham, D. C.$q(David C.),$d1941-
245 14 $aThe pleasures of contamination :$bevidence, text, and voice in textual studies /$cDavid Greetham.
260 $aBloomington :$bIndiana University Press,$cc2010.
300 $axiii, 385 p. :$bill. ;$c24 cm.
490 0 $aTextual cultures: theory and praxis
504 $aIncludes bibliographical references and indexes.
505 0 $aIntroduction: truthiness in an age of contamination -- Part 1. The contamination of evidence: The resistance to philology; Contamination and/of resistance; Textual forensics; Facts, truefacts, factoids, or, why are they still saying those things about epistemology? -- Part 2. The contamination of text: Who's in, who's out: the cultural poetics of archival exclusion; Phylum-tree-rhizome; Is it morphin time? -- Part 3. The contamination of voice: "what does it matter who is speaking," someone said, "what does it matter who is speaking?" (Greetham version), or "what does it matter who is speaking?": editorial recuperation of the estranged author" (Eggert version); Romancing the text, medievalizing the book; The philosophical discourse of [textuality]?; The telephone directory and Dr. Seuss: scholarly editing after Feist v. Rural telephone -- Epilogue: the limits of contamination.
650 0 $aCriticism, Textual.
650 0 $aIntertextuality.
650 0 $aInfluence (Literary, artistic, etc.)