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MARC Record from Library of Congress

Record ID marc_loc_updates/v38.i02.records.utf8:8943579:2084
Source Library of Congress
Download Link /show-records/marc_loc_updates/v38.i02.records.utf8:8943579:2084?format=raw

LEADER: 02084cam a2200349 a 4500
001 2008048300
003 DLC
005 20100105165658.0
008 081104s2009 nju b 001 0 eng
010 $a 2008048300
020 $a9780838757055 (alk. paper)
035 $a(OCoLC)ocn269455968
040 $aDLC$cDLC$dBTCTA$dC#P$dCDX$dBWX$dYDXCP$dDLC
043 $ae-uk---
050 00 $aPR858.P6$bW35 2009
082 00 $a823/.68093581$222
100 1 $aWallace, Miriam L.
245 10 $aRevolutionary subjects in the English "Jacobin" novel, 1790-1805 /$cMiriam L. Wallace.
260 $aCranbury, NJ :$bBucknell University Press,$cc2009.
300 $a314 p. ;$c24 cm.
490 1 $aThe Bucknell studies in eighteenty-century [sic] literature and culture
504 $aIncludes bibliographical references and index.
505 0 $aDuplicitous subjects and the tyranny of ideology: Godwin's Things as they are; or Caleb Williams (1794) and Fenwick's Secresy (1795) -- Constructing revolutionary subjects: Wollstonecraft's rational citizen and Hays's "female philosopher" -- Revolutionary masculinities in Anna St. Ives (1792) and Hermsprong (1796) -- Female suffering and witnessing subjects in Hays's The victim of prejudice (1799) -- Subjects of property and The memoirs of Bryan Perdue (1805) -- Anti-Jacobin re-visions and relational subjects in Edmund Oliver (1798) and Adeline Mowbray (1805) -- Anti-Jacobin parody and the reformist continuum: Memoirs of modern philosophers (1805) -- Conclusion: revolutionary subjectivities and rights discourse.
650 0 $aPolitical fiction, English$xHistory and criticism.
650 0 $aEnglish fiction$y18th century$xHistory and criticism.
650 0 $aHuman rights in literature.
650 0 $aRevolutionaries in literature.
650 0 $aEnglish fiction$xFrench influences.
650 0 $aPolitics and literature$zGreat Britain$xHistory$y18th century.
650 0 $aEnglish fiction$y19th century$xHistory and criticism.
650 0 $aJacobins in literature.
830 0 $aBucknell studies in eighteenth-century literature and culture.