| Record ID | marc_loc_updates/v37.i52.records.utf8:23463295:1419 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_updates/v37.i52.records.utf8:23463295:1419?format=raw |
LEADER: 01419cam a2200313 a 4500
001 2009033160
003 DLC
005 20091228140207.0
008 090811s2009 nyuag b 001 0 eng
010 $a 2009033160
015 $aGBA977154$2bnb
016 7 $a015342101$2Uk
020 $a9781580463249 (hardcover : alk. paper)
020 $a158046324X
035 $a(OCoLC)ocn429601596
040 $aDLC$cDLC$dBTCTA$dYDXCP$dUKM$dC#P$dBWX$dHMU$dDLC
050 00 $aML1700$b.A42 2009
082 00 $a781/.1$222
100 1 $aAlbright, Daniel,$d1945-
245 10 $aMusic speaks :$bon the language of opera, dance, and song /$cDaniel Albright.
260 $aRochester, NY :$bUniversity of Rochester Press,$c2009.
300 $axiv, 218 p. :$bill., music ;$c24 cm.
490 0 $aEastman studies in music,$x1071-9989
504 $aIncludes bibliographical references (p. [209]-212) and index.
505 0 $aMusic's Pentecost, music's stupidity -- Heine and the composers -- The diabolical Senta -- Les Troyens : the undoing of opera -- Far sounds in Zemlinsky and Schreker -- Butchering Moses -- Elliott Carter and poetry : listening to, listening through -- Sophoclean opera -- Belletristic music in the twentieth century -- Golden calves : the role of dance in opera -- Elephant swan space grace.
650 0 $aOpera.
650 0 $aSongs$xHistory and criticism.
650 0 $aMusic and literature.
650 0 $aDance$xHistory.