| Record ID | marc_loc_updates/v37.i42.records.utf8:80535630:1097 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_updates/v37.i42.records.utf8:80535630:1097?format=raw |
LEADER: 01097nam a22002778a 4500
001 2009040742
003 DLC
005 20091013141013.0
008 090930s2010 cau b 001 0 eng
010 $a 2009040742
020 $a9780520264793 (cloth : alk. paper)
020 $a9780520264809 (pbk. : alk. paper)
040 $aDLC$cDLC
050 00 $aML3854$b.A84 2010
082 00 $a781.49$222
100 1 $aAshby, Arved Mark.
245 10 $aAbsolute music, mechanical reproduction /$cArved Ashby.
260 $aBerkeley :$bUniversity of California Press,$c2010.
263 $a1007
300 $ap. cm.
504 $aIncludes bibliographical references and index.
505 0 $aThe recorded musical text -- Recording, repetition, and meaning in absolute music -- Schnabel's rationalism, Gould's pragmatism -- Digital mythologies -- Beethoven and the iPod Nation -- Photo/phono/pornography -- Mahler as imagist.
650 0 $aAbsolute music.
650 0 $aSound recordings$xSocial aspects.
650 0 $aMusic$xPhilosophy and aesthetics.
650 0 $aPerformance practice (Music)$xHistory$y20th century.