| Record ID | marc_loc_updates/v37.i34.records.utf8:15290705:1438 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_updates/v37.i34.records.utf8:15290705:1438?format=raw |
LEADER: 01438nam a22002538a 4500
001 2009033201
003 DLC
005 20090820084622.0
008 090817s2009 miu b s001 0 eng
010 $a 2009033201
020 $a9780472117185 (cloth : alk. paper)
040 $aDLC$cDLC
050 00 $aPN2193.E86$bH37 2009
082 00 $a792.02/2$222
100 1 $aHarding, James Martin,$d1958-
245 10 $aCutting performances :$bcollage events, feminist artists, and the American avant-garde /$cJames M. Harding.
260 $aAnn Arbor :$bUniversity of Michigan Press,$c2009.
263 $a1005
300 $ap. cm.
490 0 $aTheater : theory/text/performance
504 $aIncludes bibliographical references and index.
505 0 $aToward a feminist historiography of American avant-garde performance: theories and contexts -- Nude descending Bleecker Street: Baroness Elsa Von Freytag-Loringhoven and performing gender in New York dada -- Avant-garde performance, collage aesthetics, and feminist historiographies in Gertrude Stein's the mother of us all -- Between material and matrix: Yoko Ono's cut piece and the unmaking of collage -- Between dialectics, decorum, and collage: sabotaging schneemann at the dialectics of liberation congress, London 1967 -- Forget fame: Valerie Solanas, the simplest surrealist act, and the (re)assertion of avant-garde priorities.
650 0 $aExperimental theater.
650 0 $aFeminist theater.