MARC Record from Library of Congress

LEADER: 01619nam a2200301 a 4500
001 2009284537
003 DLC
005 20090716104117.0
008 090630s2009 maua b 000 0 eng d
010 $a 2009284537
020 $a9781555953119
020 $a1555953115
035 $a(OCoLC)ocn294879032
040 $aBTCTA$cBTCTA$dYDXCP$dNGA$dBWX$dCAM$dOCLCQ$dCDX$dYJE$dDLC
042 $alccopycat
043 $an-us---
050 00 $aND212.5.A25$bS18 2009
082 04 $a759'.0652$222
100 1 $aSandler, Irving,$d1925-
245 10 $aAbstract expressionism and the American experience :$ba reevaluation /$cby Irving Sandler.
260 $aLenox [ Mass.] :$bHard Press Editions ;$aNew York :$bSchool of Visual Arts ;$aManchester, VT :$bIn association with Hudson Hills Press :$b[Distributed in the United States by National Book Network],$cc2009.
300 $a240 p. :$bcol. ill. ;$c26 cm.
490 0 $aMission critical series
500 $aSeries from jacket.
504 $aIncludes bibliographical references.
505 0 $aPreface -- Introduction -- Ch. 1. The avant-garde in the 1930s : mastering the School of Paris -- Ch. 2. World War II : mythmaking and biomorphism -- Ch. 3. Field painting : from the terrible sublime to the exalted sublime -- Ch. 4. Gesture painting : improvisation and authenticity -- Ch. 5. Abstract expressionism and the Cold War -- Ch. 6. Field painting and gesture painting and their critics -- Ch. 7. The recognition of abstract expressionism -- Appendix. Image copyright information.
650 0 $aAbstract expressionism$zUnited States.
650 0 $aPainting, American$y20th century.