| Record ID | marc_loc_updates/v36.i36.records.utf8:10140838:1419 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_updates/v36.i36.records.utf8:10140838:1419?format=raw |
LEADER: 01419cam a2200313 a 4500
001 2008006436
003 DLC
005 20080904114513.0
008 080214s2008 nyua b 001 0 eng
010 $a 2008006436
020 $a9781433101632 (hardcover : alk. paper)
040 $aDLC$cDLC$dDLC
043 $ae-uk-en
050 00 $aPR3106$b.W66 2008
082 00 $a792.9/5$222
100 1 $aWoo, Celestine.
245 10 $aRomantic actors and bardolatry :$bperforming Shakespeare from Garrick to Kean /$cCelestine Woo.
260 $aNew York :$bPeter Lang,$cc2008.
300 $axiii, 209 p. :$bill. ;$c24 cm.
490 0 $aStudies in Shakespeare ;$vv. 16
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction. Bardolatry and "romantic" actors -- David Garrick: commodifying Shakespeare -- John Philip Kemble: consecrating Shakespeare -- Sarah Siddons: feminizing Shakespeare -- Edmund Kean: ironic icon, transgressive tabula rasa.
600 10 $aShakespeare, William,$d1564-1616$xStage history$zEngland$zLondon.
600 10 $aShakespeare, William,$d1564-1616$xStage history$y1625-1800.
600 10 $aShakespeare, William,$d1564-1616$xStage history$y1800-1950.
600 10 $aGarrick, David,$d1717-1779$xPerformances.
600 10 $aKemble, John Philip,$d1757-1823$xPerformances.
600 10 $aSiddons, Sarah,$d1755-1831$xPerformances.
600 10 $aKean, Edmund,$d1787-1833$xPerformances.