MARC Record from Library of Congress

LEADER: 02097nam a22002658a 4500
001 2008016019
003 DLC
005 20080409155228.0
008 080407s2008 ncu b 001 0 eng
010 $a 2008016019
020 $a9780786433414 (softcover : alk. paper)
040 $aDLC$cDLC
043 $an-us---
050 00 $aPN1993.5.U6$bB294 2008
082 00 $a791.430973$222
100 1 $aBapis, Elaine M.,$d1949-
245 10 $aCamera and action :$bAmerican film as agent of social change, 1965-1975 /$cElaine M. Bapis.
260 $aJefferson, N.C. :$bMcFarland,$c2008.
263 $a0806
300 $ap. cm.
504 $aIncludes bibliographical references and index.
505 0 $aAs Hollywood turned : expansion, exhibition, codes, and directors at mid-decade -- A new audience for the now movie : film societies, the college campus, the American Film Institute and making film art -- The graduate : representing a generation -- Alice's restaurant : constructing hippie folk and legitimizing revolutionary distinction -- Back in the saddle again : men, westerns, hippies, and Easy rider -- Under the influence : representing masculinity in Midnight cowboy -- No icon left unturned : M*A*S*H and the project of antiestablishment -- Out of the saddle, into the seventies : gender in McCabe and Mrs. Miller -- What's sex got to do with it? : Carnal knowledge and the delusion of telling it like it is -- Forever native: Penn's new authentics in Little Big Man -- The Godfather films as America -- Conclusion : cinematic anarchists go generic.
520 $a"This study examines changes in the American film industry, audiences, and feature films during 1965-1975. With transformations in production codes, adjustments in national narratives, a rise in independent filmmaking, and a new generation of directors and producers addressing controversial issues on the mainstream screen, film was part of the processes of social change that defined these years"--Provided by publisher.
650 0 $aMotion pictures$zUnited States$xHistory.
650 0 $aMotion pictures$xSocial aspects$zUnited States.