MARC Record from Library of Congress

LEADER: 03056cam a22004937i 4500
001 2014943658
003 DLC
005 20150505085359.0
008 140619t20141997njua b 000 0 eng d
010 $a 2014943658
015 $aGBB496820$2bnb
016 7 $a016862924$2Uk
020 $a0691163898
020 $a9780691163895
035 $a(OCoLC)ocn877364695
040 $aYDXCP$beng$cYDXCP$erda$dBTCTA$dBDX$dOCLCQ$dUKMGB$dCIA$dOCLCO$dKSU$dCHVBK$dDLC
042 $alccopycat
050 00 $aN7480$b.D33 2014
082 04 $a707.22$223
100 1 $aDanto, Arthur C.,$d1924-2013,$eauthor.
245 10 $aAfter the end of art :$bcontemporary art and the pale of history /$cArthur C. Danto ; with a new foreword by Lydia Goehr.
250 $aFirst Princeton classics edition.
264 1 $aPrinceton, New Jersey :$bPrinceton University Press,$c2014.
264 4 $c©1997
300 $axxvi, 239 pages :$billustrations ;$c22 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aThe A.W. Mellon lectures in the fine arts ;$v1995
490 1 $aBollingen series ;$vXXXV, 44
490 1 $aPrinceton classics
504 $aIncludes bibliographical references and index.
520 $a"Originally delivered as the prestigious A.W. Mellon Lectures in the Fine Arts in 1995, After the End of Art remains a classic of art criticism and philosophy, and continues to generate heated debate for contending that art ended in the 1960s. Arthur Danto, one of the best-known art critics of his time, presents radical insights into art's irrevocable deviation from its previous course and the decline of traditional aesthetics. He demonstrates the necessity for a new type of criticism in the face of contemporary art's wide-open possibilities"--Page 4 of cover.
505 0 $aForeword to the Princeton classics edition -- Introduction: modern, postmodern, and contemporary -- Three decades after the end of art -- Master narratives and critical principles -- Modernism and the critique of pure art: the historical vision of Clement Greenberg -- From aesthetics to art criticism -- Painting and the pale of history: the passing of the pure -- Pop art and past futures -- Painting, politics, and post-historical art -- The historical museum of monochrome art -- Museums and the thirsting millions -- Modalities of history: Possiblity and comedy.
650 0 $aArt$xHistoriography.
650 0 $aPostmodernism.
650 0 $aArt criticism$xPhilosophy.
700 1 $aGoehr, Lydia,$ewriter of supplementary textual content.
830 0 $aA.W. Mellon lectures in the fine arts ;$v1995.
830 0 $aBollingen series ;$v35:44.
830 0 $aPrinceton classics.
856 42 $3Publisher description$uhttp://www.loc.gov/catdir/enhancements/fy1503/2014943658-d.html
856 41 $3Table of contents only$uhttp://www.loc.gov/catdir/enhancements/fy1503/2014943658-t.html
856 42 $3Contributor biographical information$uhttp://www.loc.gov/catdir/enhancements/fy1503/2014943658-b.html