MARC Record from Library of Congress

LEADER: 02959cam a2200301 a 4500
001 2015419426
003 DLC
005 20151215085253.0
008 150410s2015 fr a b 001 0 eng d
010 $a 2015419426
020 $a9782847884937 (pbk.)
020 $a2847884939 (pbk.)
035 $a(OCoLC)ocn908524222
040 $aFr-PaAMA$beng$cMZA$dOCLCO$dDLC
042 $alccopycat
050 00 $aN6537.M654$bI58 2015
245 00 $aInvestigations :$bthe expanded field of writing in the works of Robert Morris /$cedited by Katia Schneller and Noura Wedell.
260 $aLyon :$bENS,$c2015.
300 $a275 p. :$bill. (some col.) ;$c22 cm
490 1 $aSignes
504 $aIncludes bibliographical references (p. 255-261) and index.
505 00 $tEmbedded writing --$tMorris('s) Prints --$tContinuous Project Altered Daily (1969): The Machinery of Art --$tThe lime of the Earthworks --$tWhen Kitsch Becomes Form --$t'Like Laughter in a Ruin:"from Telegram to the Eighties --$tA Theater of History --$tThe text/image problem under investigation --$tPicturing Texts: Robert Morris'"Beetle in a Box" --$tThe Subject-Object Problem in"Aligned with Nazca": On Phenomenological Issues in Robert Morris'Artwork --$tTriangulating Morris'Intention? Davidson on Morris Quoting Davidson --$tRobert Morris and the Spaces of Writing --$tPolitics of Blindness: Robert Morris'Antivision --$tA Parallel Unfuriing:The Problem of Description in the Work of Robert Morris --$tDisplacing genres --$tRobert Morris and Allan Kaprow: Experience, from Theory to Performance Art --$tWriting through Space: the Literai Practices of Robert Morris and Vito Acconci --$tRole Play in the Writings of Robert Morris --$tAddressing Oneself: On TELEGRAM by Robert Morris --$tExchanges: text to screen and back again --$tFrom Text to Screen --$tScript of the film Robert Morris: The Mind-Body Problem
520 $a"By investigating the prolific oeuvre of Robert Morris via the prism of writing, this collection of essays provides an incisive lens into the work of a central figure in the visual arts since the 1960s, associated in turn with minimalism, postminimalism, conceptualism, and land art. Morris has often been labeled a theorist, although his writing mobilizes a wide variety of genres. He has espoused the style of art criticism, the verve of the polemic, as well as the forms of prose fiction and autobiography. But beyond his writerly craft, he has incorporated text into prints, sculptures, performances, installations, weaving a tight net between text and visual practice. This book brings together contributions from art historians, literary scholars, philosophers, filmmakers, and writers to shed light on an important yet overlooked aspect of Morris' work."--P. [4] of cover.
600 10 $aMorris, Robert,$d1931-$xCriticism and interpretation.
650 0 $aSemiotics and art.
700 1 $aSchneller, Katia.
700 1 $aWedell, Noura.
830 0 $aCollection Signes.