| Record ID | marc_loc_2016/BooksAll.2016.part42.utf8:108196617:1753 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_2016/BooksAll.2016.part42.utf8:108196617:1753?format=raw |
LEADER: 01753cam a22003857i 4500
001 2015301379
003 DLC
005 20150523083927.0
008 150522s2013 nmua 000 0 eng d
010 $a 2015301379
020 $a9781936611058
020 $a1936611058
035 $a(OCoLC)ocn862831701
040 $aMZA$beng$cMZA$erda$dYDXCP$dBTCTA$dZCU$dOCLCF$dAU@$dDLC
042 $alccopycat
082 04 $a779.21092$223
050 00 $aTR675$b.M3324 2013
100 1 $aMarder, Malerie,$d1971-$ephotographer.
240 10 $aPhotographs.$kSelections
245 10 $aAnatomy /$cMalerie Marder.
250 $aFirst edition
264 1 $aSante Fe, NM :$bTwin Palms Publishers,$c[2013]
300 $a1 volume (unpaged) :$ball illustrations ;$c47 cm
336 $astill image$bsti$2rdacontent
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aSpine title.
520 $aOver the course of six years, Malerie Marder photographed prostitutes in the Netherlands. During that time, she meditated on the thin separation between the two sides of her camera--that sliver of fortune that separated her from the world of the women she photographed. The photographs that resulted do not raise awareness or work as documents, rather they toggle between reality and a mythical space that allows for momentary escape--$cSource other than Library of Congress.
650 0 $aPhotography of the nude.
650 0 $aPhotography of women.
600 17 $aMarder, Malerie,$d1971-$2fast$0(OCoLC)fst01561650
650 7 $aHuman figure in art.$2fast$0(OCoLC)fst01896063
650 7 $aPhotography, Artistic.$2fast$0(OCoLC)fst01061964
650 7 $aPhotography of the nude.$2fast$0(OCoLC)fst01061951