MARC Record from Library of Congress

LEADER: 01773cam a2200337 i 4500
001 2014017905
003 DLC
005 20150627080924.0
008 140506t20152015inuag b 001 0 eng c
010 $a 2014017905
020 $a9780253014436 (hardcover : alkaline paper)
020 $a9780253014511 (paperback : alkaline paper)
020 $z9780253014597 (ebook)
040 $aICU/DLC$beng$cICU$erda$dDLC
042 $apcc
043 $an-us---
050 00 $aML2075$b.M48 2015
082 00 $a781.5/420973$223
100 1 $aMeyer, Stephen C.,$d1963-$eauthor.
245 10 $aEpic sound :$bmusic in postwar Hollywood biblical films /$cStephen C. Meyer.
264 1 $aBloomington ;$aIndianapolis :$bIndiana University Press,$c2015.
264 4 $c©2015
300 $ax, 272 pages :$billustrations, music ;$c24 cm
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
504 $aIncludes bibliographical references and index.
505 0 $aA biblical story for the post-World War II generation? : Victor Young's music for DeMille's Samson and Delilah -- Turning away from "concocted spectacle" : Alfred Newman's score for David and Bathsheba -- Spectacle and authenticity in Miklós Rózsa's Quo vadis score -- Novel and film, music and miracle : Alfred Newman's score to The robe -- Spirit and empire : Elmer Bernstein's score to The Ten Commandments -- The law of genre and the music for Ben-Hur -- King of kings and the problem of repetition -- Suoni nuovi, suoni antich i: the soundscapes of Barabbas -- Universality, transcendence, and collapse : music and the greatest story ever told.
650 0 $aMotion picture music$xHistory and criticism.
650 0 $aBible films$zUnited States.
650 0 $aFilm composers.