| Record ID | marc_loc_2016/BooksAll.2016.part41.utf8:136091329:1262 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_2016/BooksAll.2016.part41.utf8:136091329:1262?format=raw |
LEADER: 01262cam a22002898i 4500
001 2014000452
003 DLC
005 20150827103816.0
008 140107s2013 enk 001 0 eng
010 $a 2014000452
020 $a9780230392281
040 $aDLC$beng$cDLC$erda
042 $apcc
050 00 $aPN1996$b.M33 2013
082 00 $a808.2/3$223
100 1 $aMacdonald, Ian W.,$d1951-
245 10 $aScreenwriting poetics and the screen idea /$cIan W. Macdonald, Institute of Communication Studies, University of Leeds, UK.
263 $a1401
264 1 $aHoundmills, Basingstoke ;$aNew York :$bPalgrave Macmillan,$c2013.
300 $apages cm
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
500 $aIncludes index.
505 0 $aTheoretical approaches -- The orthodox poetics of screenwriting -- The real world and screenwriting as work -- The screen idea work group: Emmerdale -- The individual, their creativity and the poetics -- Hitchcock's forgotten screenwriter: Eliot Stannard -- God is in the details: the text object -- The poetics of the screen idea: Nostromo -- Screenwriting studies.
650 0 $aMotion picture authorship$xPhilosophy.
650 0 $aCreation (Literary, artistic, etc.)