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MARC Record from Library of Congress

Record ID marc_loc_2016/BooksAll.2016.part41.utf8:120987451:3233
Source Library of Congress
Download Link /show-records/marc_loc_2016/BooksAll.2016.part41.utf8:120987451:3233?format=raw

LEADER: 03233cam a22004577i 4500
001 2013933464
003 DLC
005 20150115081954.0
008 130219s2014 mouac bc 000 0deng d
010 $a 2013933464
016 7 $a016558357$2Uk
020 $a9780936316383 (pbk.)
020 $a0936316381 (pbk.)
035 $a(OCoLC)ocn858804272
040 $aERASA$beng$erda$cERASA$dOCLCQ$dYDXCP$dBTCTA$dUKMGB$dBDX$dCDX$dW4M$dOCLCO$dUAB$dJPG$dZCU$dJPG$dCUT$dOCLCO$dVVC$dOCLCF$dDLC
042 $alccopycat
050 00 $aN6494.V53$bI53 2014
082 04 $a778.59
245 00 $aIn the aftermath of trauma :$bcontemporary video installation /$cSabine Eckmann ; with essays by Rakhee Balaram, Svea Bräunert, Ila N. Sheren.
246 30 $aContemporary video installation
264 1 $aSt. Louis, Missouri :$bMildred Lane Kemper Art Museum :$bWashington University in St Louis,$c[2014]
300 $a110 pages :$billustrations (chiefly color), portraits ;$c25 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aPublished in conjunction with the exhibition held at Mildred Lane Kemper Art Museum, St. Louis, Missouri, January 31-April 20, 2014.
500 $aFeatures the work of artists Yael Bartana, Phil Collins, Alfredo Jaar, Amar Kanwar, Vandy Rattana.
505 0 $aMemory, history, and the real / Sabine Eckmann -- Speaking to the ghosts of a present past : Yael Bartana / Svea Bräunert -- Exploring "reality" : Phil Collins / Ila N. Sheren -- Image and imagination : Alfredo Jaar / Ila N. Sheren -- Blood on the tracks : Amar Kanwar / Rakhee Balaram -- Open wounds : Vandy Rattana / Rakhee Balaram -- Artworks in the exhibition -- Artists' biographies -- Contributors.
504 $aIncludes bibliographical references.
520 $aIn the Aftermath of Trauma' presents the work of contemporary video artists from around the world who employ their medium to probe the experience and aftermath of traumatic occurrences. Engaging with such historical events as the Holocaust, the terrorist attacks of 9/11, the war in Vietnam, the reunification of Germany after the fall of the Berlin Wall, and the conflicts between India and Pakistan, these artists use the semi-documentary format to delve into the very nature of trauma. Offering ways of comprehension that go beyond the dichotomy of head-on confrontation versus denial or repression, the five video installations in the exhibition suggest a more nuanced and complex relationship between the original event and its present ramifications. They confound the relation between fact and artifice, truth and art, through a variety of formal methods.--$cSource other than Library of Congress.
650 0 $aVideo installations (Art)$vExhibitions.
650 0 $aVideo art$vExhibitions.
655 7 $aExhibition catalogs.$2aat
650 7 $aVideo art.$2fast$0(OCoLC)fst01166389
650 7 $aVideo installations (Art)$2fast$0(OCoLC)fst01747580
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
700 1 $aEckmann, Sabine$q(Sabine M.)
700 1 $aBalaram, Rakhee.
700 1 $aBräunert, Svea.
700 1 $aSheren, Ila N.
710 2 $aMildred Lane Kemper Art Museum.