| Record ID | marc_loc_2016/BooksAll.2016.part40.utf8:200426394:1333 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_2016/BooksAll.2016.part40.utf8:200426394:1333?format=raw |
LEADER: 01333cam a2200289 i 4500
001 2013004492
003 DLC
005 20140115082106.0
008 130315s2013 nyua b 001 0 eng
010 $a 2013004492
020 $a9781441184016 (hardcover : alk. paper)
020 $a9781441189455 (pbk. : alk. paper)
040 $aDLC$beng$cDLC$erda$dDLC
042 $apcc
050 00 $aPN1998.3.H58$bS56 2013
082 00 $a791.4302/33092$223
100 1 $aSkerry, Philip J.
245 10 $aDark energy :$bHitchcock's absolute camera and the physics of cinematic spacetime /$cPhilip J. Skerry.
264 1 $aNew York :$bBloomsbury Academic, an imprint of Bloomsbury Pub. Plc,$c2013.
300 $axxii, 175 pages :$billustrations ;$c24 cm
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
504 $aIncludes bibliographical references (pages 163-167) and index.
505 0 $aIntroduction: searching for light in the darkness -- In search of light and enlightenment -- Hitchcock's "absolute camera" -- Rear window: the apotheosis of the absolute camera -- Two princes of dark energy -- Psycho: a new paradigm -- The quantum universe of Vertigo -- The physicists speak -- Epilogue.
600 10 $aHitchcock, Alfred,$d1899-1980$xCriticism and interpretation.
650 0 $aCinematography.