Record ID | marc_loc_2016/BooksAll.2016.part40.utf8:166787789:3286 |
Source | Library of Congress |
Download Link | /show-records/marc_loc_2016/BooksAll.2016.part40.utf8:166787789:3286?format=raw |
LEADER: 03286cam a2200313 a 4500
001 2012563506
003 DLC
005 20120702114131.0
008 120531s2012 enkag b 001 0 eng d
010 $a 2012563506
015 $aGBB1C3840$2bnb
016 7 $a015955560$2Uk
020 $a9780521896115 (hbk.)
020 $a0521896118 (hbk.)
035 $a(OCoLC)ocn758983133
035 $a(OCoLC)758983133
040 $aUKMGB$cUKMGB$dERASA$dYDXCP$dBWX$dOKU$dXBM$dBOS$dGUA$dCDX$dDLC
042 $alccopycat
050 00 $aML457$b.C35 2012
082 00 $a781.4/309$223
245 04 $aThe Cambridge history of musical performance /$cColin Lawson and Robin Stowell.
246 30 $aHistory of musical performance
260 $aCambridge :$aNew York$bCambridge University Press,$c2012.
300 $axxvi, 906 p. :$bill., music ;$c23 cm.
504 $aIncludes bibliographical references (p. 834-893) and index.
505 00 $tPerformance today /$rNicholas Kenyon --$tPolitical process, social structure, and musical performance in Europe since 1450 /$rWilliam Weber --$tThe evidence /$rRobin Stowell --$tThe performer and the composer /$rCorey Jamason --$tThe teaching of performance /$rNatasha Loges and Colin Lawson --$tMusic and musical performance : histories in disjunction? /$rDavid Wright --$tThe ancient world /$rEleonora Rocconi --$tPerformance before c. 1430 : an overview /$rJohn Haines --$tVocal performance before c. 1430 /$rJeremy Summerly --$tInstrumental performance before c. 1430 /$rStefano Mengozzi --$tCase study : Guillaume de Machaut, ballade 34, Quant Theseus/Ne quier veoir /$rJohn Haines --$tPerformance in the Renaissance : an overview /$rJon Banks --$tVocal performance in the Renaissance /$rTimothy J. McGee --$tInstrumental performance in the Renaissance /$rKeith Polk --$tCase study : Seville Cathedral's music in performance, 1549-1599 /$rOwen Rees --$tPerformance in the seventeenth century : an overview /$rTim Carter --$tVocal performance in the seventeenth century /$rRichard Wistreich --$tInstrumental performance in the seventeenth century /$rDavid Ponsford --$tCase study : Monteverdi, Vespers (1610) /$rJonathan P. Wainwright --$tPerformance in the "long eighteenth century" : an overview /$rSimon McVeigh --$tVocal performance in the "long eighteenth century" /$rJohn Potter --$tInstrumental performance in the "long eighteenth century" /$rPeter Walls --$tCase study : Mozart, Symphonies in E flat major K543, G minor K550, and C major K551 /$rColin Lawson --$tPerformance in the nineteenth century : an overview /$rMichael Musgrave --$tVocal performance in the nineteenth century /$rWill Crutchfield --$tInstrumental performance in the nineteenth century /$rIan Pace --$tCase study : Richard Wagner, Tristan und Isolde /$rRobin Stowell --$tMusical performance in the twentieth century and beyond : an overview /$rStephen Cottrell --$tVocal performance in the twentieth century and beyond /$rJane Manning and Anthony Payne --$tInstrumental performance in the twentieth century and beyond /$rRoger Heaton --$tCase study : Karlheinz Stockhausen, Gruppen für drei Orchester /$rWilliam Mival --$tThe future? /$rColin Lawson and Robin Stowell.
650 0 $aMusic$xPerformance$xHistory.
700 1 $aLawson, Colin$q(Colin James)
700 1 $aStowell, Robin.