| Record ID | marc_loc_2016/BooksAll.2016.part40.utf8:162994322:1695 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_2016/BooksAll.2016.part40.utf8:162994322:1695?format=raw |
LEADER: 01695cam a22003257a 4500
001 2012551905
003 DLC
005 20130828081125.0
008 130227s2012 stka b 001 0 eng d
010 $a 2012551905
016 7 $a016142880$2Uk
020 $a9780748640546
020 $a0748640541
035 $a(OCoLC)ocn775413292
040 $aYDXCP$beng$cYDXCP$dBTCTA$dERASA$dUKMGB$dOCLCQ$dNLE$dYNK$dCDX$dBWX$dGUA$dOUN$dZCU$dCGU$dDLC
042 $alccopycat
043 $ae-it---
050 00 $aPN1995.9.R3$bB37 2012
082 04 $a791.430945$223
100 1 $aBarattoni, Luca.
245 10 $aItalian post-neorealist cinema /$cLuca Barattoni.
260 $aEdinburgh :$bEdinburgh University Press,$c2012.
300 $axi, 292 p. :$bill. ;$c24 cm.
504 $aIncludes bibliographical references (p. 248-268) and index.
505 0 $a1. Historic, economic, and cultural background -- 2. The New Wave proper/Italian style debate and the explosion of national cinemas -- 3. The aesthetics emerging after the war -- 4. Ideological perimeters: the Catholic-Marxist protocol -- 5. Negotiating modernity: the ethics of disorientation and entrenchment -- 6. Reimagining national identity -- 7. Behavioral codes and sexual mores -- Conclusion: the missing Italy and its missing cinema today.
650 0 $aRealism in motion pictures.
650 0 $aMotion pictures$zItaly$xHistory.
856 42 $3Contributor biographical information$uhttp://www.loc.gov/catdir/enhancements/fy1316/2012551905-b.html
856 42 $3Publisher description$uhttp://www.loc.gov/catdir/enhancements/fy1316/2012551905-d.html
856 41 $3Table of contents only$uhttp://www.loc.gov/catdir/enhancements/fy1316/2012551905-t.html