| Record ID | marc_loc_2016/BooksAll.2016.part39.utf8:235712822:1342 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_2016/BooksAll.2016.part39.utf8:235712822:1342?format=raw |
LEADER: 01342cam a2200301 i 4500
001 2012051315
003 DLC
005 20150302073423.0
008 130219s2013 nyu b 001 0 eng
010 $a 2012051315
020 $a9781137276988 (alk. paper)
040 $aDLC$beng$cDLC$erda$dDLC
042 $apcc
050 00 $aPR6003.E282$bZ778 2013
082 00 $a842/.914$223
100 1 $aMcTighe, Trish.
245 14 $aThe haptic Aesthetic in Samuel Beckett's drama /$cTrish McTighe.
264 1 $aNew York, New York :$bPalgrave Macmillan,$c2013.
300 $a196 pages ;$c23 cm.
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
490 0 $aNew Interpretations of Beckett in the Twenty-first Century
504 $aIncludes bibliographical references (pages [155]-189) and index.
505 0 $aIntroduction: Haptics, aesthetics, philosophy -- Eye: failing, myopic, grainy -- Ear: full of relentless echoes -- Mouth: trying to tell it all, failing -- Skin, space, place -- On the one hand . . . (the one that writes the body) -- On the other hand . . . (the one that refuses to touch) -- Conclusion: Departing bodies, between doubting Thomas and noli me tangere.
600 10 $aBeckett, Samuel,$d1906-1989$xDramatic works.
650 0 $aTouch in literature.
650 0 $aSelf in literature.