| Record ID | marc_loc_2016/BooksAll.2016.part39.utf8:234038934:1315 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_2016/BooksAll.2016.part39.utf8:234038934:1315?format=raw |
LEADER: 01315cam a2200301 i 4500
001 2012050086
003 DLC
005 20140207080143.0
008 121213s2013 enka b 001 0 eng
010 $a 2012050086
020 $a9781107010932 (hardback)
040 $aDLC$beng$cDLC$dDLC$erda$dDLC
042 $apcc
050 00 $aML1380$b.C623 2013
082 00 $a786.7$223
100 1 $aCollins, Nick$q(Nicholas)
245 10 $aElectronic music /$cNick Collins, Margaret Schedel, and Scott Wilson.
264 1 $aCambridge ;$aNew York :$bCambridge University Press,$c2013.
300 $axi, 227 pages :$billustrations ;$c26 cm.
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
490 0 $aCambridge introductions to music
504 $aIncludes bibliographical references and index.
505 0 $aRecording technologies and music -- New sounds and new instruments : electronic music up until 1948 -- The post-war sonic boom -- From analog to digital -- Into the mainstream -- Synth pop -- Electronic dance music -- Continuing the classical? -- Experimental electronica -- Sound art -- Further connections -- Live electronic music.
650 0 $aElectronic music$xHistory and criticism.
700 1 $aSchedel, Margaret.
700 1 $aWilson, Scott,$d1969 November 26-