| Record ID | marc_loc_2016/BooksAll.2016.part39.utf8:209482224:1634 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_2016/BooksAll.2016.part39.utf8:209482224:1634?format=raw |
LEADER: 01634cam a22003494a 4500
001 2012031270
003 DLC
005 20131205074705.0
008 120802s2013 enka b 001 0 eng
010 $a 2012031270
020 $a9780199861422 (pbk.)
020 $a0199861420 (pbk.)
020 $a9780199861408
020 $a0199861404
035 $a(OCoLC)ocn804491610
040 $aDLC$beng$cDLC$dYDX$dOCLCO$dBTCTA$dYDXCP$dCDX$dNYP$dDLC
042 $apcc
050 00 $aML197$b.R57 2013
082 00 $a780.9/04$223
100 1 $aRogers, Holly.
245 10 $aSounding the gallery :$bvideo and the rise of art-music /$cHolly Rogers.
260 $aOxford ;$aNew York :$bOxford University Press,$cc2013.
300 $axi, 231 p. :$bill ;$c24 cm.
490 1 $aThe Oxford music/media series
504 $aIncludes bibliographical references (p. 205-215) and index.
505 0 $aComposing with technology : the artist-composer -- Silent music and static motion : the audio-visual history of video -- Towards the spatial : music, art and the audiovisual environment -- The rise of video art-music : 1963-1970 -- Interactivity, mirrored spaces and the closed-circuit feed : performing video.
650 0 $aMusic$y20th century$xHistory and criticism.
650 0 $aVideo art.
830 0 $aOxford music/media series.
856 42 $3Contributor biographical information$uhttp://www.loc.gov/catdir/enhancements/fy1312/2012031270-b.html
856 42 $3Publisher description$uhttp://www.loc.gov/catdir/enhancements/fy1312/2012031270-d.html
856 41 $3Table of contents only$uhttp://www.loc.gov/catdir/enhancements/fy1312/2012031270-t.html