| Record ID | marc_loc_2016/BooksAll.2016.part37.utf8:178794056:1642 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_2016/BooksAll.2016.part37.utf8:178794056:1642?format=raw |
LEADER: 01642cam a2200313 a 4500
001 2010054094
003 DLC
005 20111231085351.0
008 101223s2012 enka b 001 0 eng
010 $a 2010054094
020 $a9780195367362 (alk. paper)
020 $a0195367367 (alk. paper)
020 $a9780195367379 (alk. paper)
020 $a0195367375 (alk. paper)
035 $a(OCoLC)ocn695560190
040 $aDLC$cDLC$dYDXCP$dTDF$dBWX$dC#P$dDLC
050 00 $aML3849$b.R488 2012
082 00 $a780/.07$222
100 1 $aRichardson, John,$d1964-
245 13 $aAn eye for music :$bpopular music and the audiovisual surreal /$cJohn Richardson.
260 $aOxford ;$aNew York :$bOxford University Press,$cc2012.
300 $axi, 323 p. :$bill. ;$c24 cm.
490 1 $aThe Oxford music/media series
504 $aIncludes bibliographical references (p. 295-310) and index.
505 0 $aIntroduction -- Navigating the neosurreal : background and premises -- Neosurrealist tendencies in recent films -- Neosurrealist metamusicals, flow and camp aesthetics -- In tandem with the random : loose synchronisation and remediation in Philip Glass's -- La Belle et la Bête and The dark side of Oz -- The surrealism of the virtual band in the digital age : Gorillaz' "Clint Eastwood" and "Feel good inc." -- Back to the garden? Performing the disaffected acoustic imaginary in the digital age -- Concluding thoughts : all that is solid melts into air?
650 0 $aMusic$xPhilosophy and aesthetics.
650 0 $aMotion picture music$xPhilosophy and aesthetics.
650 0 $aSurrealism and music.
830 0 $aOxford music/media series.