| Record ID | marc_loc_2016/BooksAll.2016.part36.utf8:98999456:1485 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_2016/BooksAll.2016.part36.utf8:98999456:1485?format=raw |
LEADER: 01485cam a22003014a 4500
001 2009004565
003 DLC
005 20090915084837.0
008 090203s2009 miu b 001 0 eng
010 $a 2009004565
020 $a9780472070602 (cloth : alk. paper)
020 $a0472070606 (cloth : alk. paper)
020 $a9780472050604 (pbk. : alk. paper)
020 $a0472050605 (pbk. : alk. paper)
040 $aDLC$cDLC$dDLC
043 $an-us---
050 00 $aKF4757$b.S38 2009
082 00 $a346.7304/82$222
100 1 $aSchur, Richard L.
245 10 $aParodies of ownership :$bhip-hop aesthetics and intellectual property law /$cRichard L. Schur.
260 $aAnn Arbor :$bUniversity of Michigan Press :$bUniversity of Michigan Library,$cc2009.
300 $axiv, 236 p. ;$c24 cm.
504 $aIncludes bibliographical references (p. 209-226) and index.
505 0 $aFrom chattel to intellectual property : legal foundations of African American cultural critique -- Critical race theory, signifyin', and cultural ownership -- Defining hip-hop aesthetics -- Claiming ownership in the post--civil rights era -- "Fair use" and the circulation of racialized texts -- "Transformative uses" : parody and memory -- From invisibility to erasure? The consequences of hip-hop aesthetics.
650 0 $aAfrican Americans$xLegal status, laws, etc.
650 0 $aIntellectual property$zUnited States.
650 0 $aHip-hop$xInfluence.
650 0 $aAfrican Americans in popular culture.