| Record ID | marc_loc_2016/BooksAll.2016.part34.utf8:131819084:1143 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_2016/BooksAll.2016.part34.utf8:131819084:1143?format=raw |
LEADER: 01143cam a2200289 a 4500
001 2007024836
003 DLC
005 20070927083123.0
008 070614s2007 nyu bk 001 0 eng
010 $a 2007024836
020 $a9780826417268 (hardcover : alk. paper)
020 $a0826417264 (hardcover : alk. paper)
020 $a9780826417275 (pbk. : alk. paper)
020 $a0826417272 (pbk. : alk. paper)
035 $a(OCoLC)ocn145379732
035 $a(OCoLC)145379732
040 $aDLC$cDLC$dBAKER$dC#P$dYDXCP$dDLC
050 00 $aML3534$b.H43 2007
082 00 $a781.64$222
100 1 $aHegarty, Paul,$d1967-
245 10 $aNoise/music :$ba history /$cPaul Hegarty.
260 $aNew York :$bContinuum,$c2007.
300 $ax, 221 p. ;$c23 cm.
504 $aIncludes bibliographical references (p. 207-213), discography (p. 201-205), and index.
505 0 $aFirst -- Technologies -- Free -- Electric -- Progress -- Inept -- Industry -- Power -- Japan -- Merzbow -- Sound art -- Cut -- Listening.
650 0 $aNoise music$xHistory and criticism.
856 41 $3Table of contents only$uhttp://www.loc.gov/catdir/toc/ecip0720/2007024836.html