MARC Record from Library of Congress

LEADER: 02050cam a22002894a 4500
001 2005030639
003 DLC
005 20100127083838.0
008 051020s2006 kyu b s001 0 eng
010 $a 2005030639
015 $aGBA584005$2bnb
016 7 $a013306234$2Uk
020 $a0813123771 (hdbk. : alk. paper)
020 $a9780813123776
035 $a(OCoLC)ocm61878851
040 $aDLC$cDLC$dUKM$dBAKER$dC#P$dIXA$dSYB$dPUL$dUBY$dDLC
042 $apcc
050 00 $aPN1995.9.F54$bP55 2006
082 00 $a791.43/655$222
245 04 $aThe philosophy of film noir /$cedited by Mark T. Conard ; foreword by Robert Porfirio.
260 $aLexington :$bUniversity Press of Kentucky,$cc2006.
300 $axv, 248 p. ;$c24 cm.
504 $aIncludes bibliographical references and index.
505 00 $tNietzsche and the meaning and definition of noir /$rMark T. Conard --$tA darker shade: realism in neo-noir /$rJason Holt --$tMoral clarity and practical reason in film noir /$rAeon J. Skoble --$tCherchez la femme fatale: the mother of film noir /$rRead Mercer Schuchardt --$tFrom Sherlock Holmes to the hard-boiled detective in film noir /$rJerold J. Abrams --$tFilm noir and the meaning of life /$rSteven M. Sanders --$tThe horizon of disenchantment: film noir, Camus, and the vicissitudes of descent /$rAlan Woolfolk --$tSymbolism, meaning, and nihilism in Quentin Tarantino's Pulp fiction /$rMark T. Conard --$tFilm noir and the Frankfurt School: America as wasteland in Edgar Ulmer's Detour /$rPaul A. Cantor --$tKnowledge, morality, and tragedy in The killers and Out of the past /$rIan Jarvie --$tMoral man in the dark city: film noir, the postwar religious revival, and The accused /$rR. Barton Palmer --$tOn reason and passion in The Maltese falcon /$rDeborah Knight --$tRide the pink horse: money, mischance, murder, and the monads of film noir /$rAlain Silver.
650 0 $aFilm noir$xHistory and criticism.
700 1 $aConard, Mark T.,$d1965-
856 41 $3Table of contents only$uhttp://www.loc.gov/catdir/toc/ecip062/2006030639.html