| Record ID | marc_loc_2016/BooksAll.2016.part31.utf8:166816836:1064 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_2016/BooksAll.2016.part31.utf8:166816836:1064?format=raw |
LEADER: 01064cam a22002534a 4500
001 2004026337
003 DLC
005 20130208114209.0
008 041104s2005 enka b 001 0deng
010 $a 2004026337
020 $a0754634418 (alk. paper)
040 $aDLC$cDLC$dDLC
042 $apcc
050 00 $aML410.B996$bH38 2005
082 00 $a781.2/63/092$222
100 1 $aHarley, John,$d1928-
245 10 $aWilliam Byrd's modal practice /$cJohn Harley.
260 $aAldershot, Hants, England ;$aBurlington, VT :$bAshgate,$cc2005.
300 $axi, 162 p. :$bill. ;$c24 cm.
504 $aIncludes bibliographical references (p. [135]-145) and indexes.
505 0 $aByrd's early training -- Some preliminary concepts -- Key and tonality -- Cadences -- Melodic range -- Melodic shape -- Vocal clefs -- Choice of key -- Tonal design -- Conclusions.
600 10 $aByrd, William,$d1539 or 1540-1623$xCriticism and interpretation.
650 0 $aMusical intervals and scales$xHistory.
856 41 $3Table of contents$uhttp://www.loc.gov/catdir/toc/ecip053/2004026337.html