| Record ID | marc_loc_2016/BooksAll.2016.part31.utf8:145295609:1352 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_2016/BooksAll.2016.part31.utf8:145295609:1352?format=raw |
LEADER: 01352cam a22002774a 4500
001 2004007629
003 DLC
005 20060609170815.0
008 040331s2004 inua b s001 0 eng
010 $a 2004007629
020 $a0253344573 (cloth : alk. paper)
040 $aDLC$cDLC$dDLC
042 $apcc
050 00 $aML3845$b.M86 2004
082 00 $a781/.1$222
100 1 $aMoreno, Jairo,$d1963-
245 10 $aMusical representations, subjects, and objects :$bthe construction of musical thought in Zarlino, Descartes, Rameau, and Weber /$cJairo Moreno.
260 $aBloomington :$bIndiana University Press,$cc2004.
300 $aviii, 236 p. :$bill. ;$c25 cm.
440 0 $aMusical meaning and interpretation
504 $aIncludes bibliographical references (p. [221]-231) and index.
505 0 $aZarlino: instituting knowledge in the time of correspondences -- The representation of order: perception and the early modern subject in Descartes's Compendium musicae -- The complicity of the imagination: representation, subject, and system in Rameau -- Gottfried Weber and Mozart's K. 465: the contents and discontents of the listening subject.
650 0 $aMusic$xPhilosophy and aesthetics.
650 0 $aMusic$xSemiotics.
650 0 $aMusic theory$xHistory.
856 41 $3Table of contents$uhttp://www.loc.gov/catdir/toc/ecip0416/2004007629.html