| Record ID | marc_loc_2016/BooksAll.2016.part30.utf8:53025253:1710 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_2016/BooksAll.2016.part30.utf8:53025253:1710?format=raw |
LEADER: 01710cam a22003497a 4500
001 2002407990
003 DLC
005 20030207090550.0
008 010928s2001 gw a b 001 0 ger d
010 $a 2002407990
020 $a3631333234 (pbk.)
035 $a(NNMM).b13108244
035 $a(CStRLIN)NYMA02-B23
040 $aOHX$cOHX$dCStRLIN$dNNMM$dCStRLIN$dDLC
042 $alccopycat
043 $aa-cc---$ae------$an-us---
050 00 $aN7430.7$b.W36 2001
072 7 $aND$2lcco
100 1 $aWang, Caiyong.
245 14 $aDie Leere chinesischer Malerei und abendländische Annäherungsversuche in den Bildern von Redon, Bissier und Tobey :$bzu einem interkulturellen Sinnerlebnis in der bildenden Kunst /$cCai-Yong Wang.
260 $aFrankfurt am Main ;$aNew York :$bP. Lang,$cc2001.
300 $a234 p. :$bill. ;$c21 cm.
490 1 $aEuropäische Hochschulschriften. Reihe XXVIII, Kunstgeschichte,$x0721-3557 ;$vBd. 379 =$aPublications universitaires européennes. Série XXVIII, Histoire de l'art ;$vv. 379 =$aEuropean university studies. Series XXVIII, History of art ;$vv. 379
500 $aOriginally presented as the author's thesis (doctoral)--Universität, Frankfurt am Main, 1999.
504 $aIncludes bibliographical references (p. [156]-180) and indexes.
650 0 $aSpace (Art)
650 0 $aPainting, Chinese$xInfluence.
650 0 $aPainting, Modern$y20th century.
600 10 $aRedon, Odilon,$d1840-1916$xCriticism and interpretation.
600 10 $aBissier, Julius,$d1893-1965$xCriticism and interpretation.
600 10 $aTobey, Mark,$d1890-1976$xCriticism and interpretation.
830 0 $aEuropäische Hochschulschriften.$nReihe XXVIII,$pKunstgeschichte ;$vBd. 379.