| Record ID | marc_loc_2016/BooksAll.2016.part29.utf8:221752142:1479 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_2016/BooksAll.2016.part29.utf8:221752142:1479?format=raw |
LEADER: 01479cam a2200253 a 4500
001 2002116473
003 DLC
005 20040129133632.0
008 021122s2003 waua b 000 0 eng d
010 $a 2002116473
020 $a0970639430
040 $a*WC3*$c*WC3*$dFTaSU$dCStRLIN$dPPT$dDLC
042 $alccopycat
050 00 $aND237.C84988$bL55 2003
100 1 $aLindberg, E. Theodore.
245 10 $aAlfred Currier :$bimpasto /$cTed Lindberg.
246 30 $aImpasto
260 $aSeattle :$bMarquand Books, Inc. in association with the University of Washington Press,$cc2003.
300 $a111 p. :$bcol. ill. ;$c32 cm.
504 $aIncludes bibliographical references (p. 110).
505 0 $aThe technique that turned the tide -- Putting one together -- Notes on the paintings -- All cats in the dark are gray -- Appendix -- Selected biography -- Selected bibliography -- Acknowledgements.
520 0 $aTed Lindberg offers a lively yet thoughtful sketch of Currier's evolution as an artist. He also takes the reader into the artist's studio, where, in the course of painting, Currier discusses his tools, techniques, and gratification found within the process of artmaking. The plates in this book represent works created by Alfred Currier between 1992 and 2002--the time of his professional coming-of-age, which saw the crystallization of his personal style and technique.
600 10 $aCurrier, Alfred,$d1943-$xCriticism and interpretation.
700 1 $aCurrier, Alfred,$d1943-