| Record ID | marc_loc_2016/BooksAll.2016.part29.utf8:172698327:1458 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_2016/BooksAll.2016.part29.utf8:172698327:1458?format=raw |
LEADER: 01458cam a2200277 a 4500
001 2002009070
003 DLC
005 20060725221512.0
008 020612s2003 ncua b s001 0 eng
010 $a 2002009070
020 $a0807827606 (cloth : alk. paper)
040 $aDLC$cDLC$dDLC
043 $an-us---
050 00 $aN8232$b.H37 2003
082 00 $a704.9/49305896073$221
100 1 $aHarris, Michael D.,$d1948-
245 10 $aColored pictures :$brace and visual representation /$cMichael D. Harris ; foreword by Moyo Okediji.
260 $aChapel Hill :$bUniversity of North Carolina Press,$cc2003.
300 $axiv, 281 p. :$bill. (some col.) ;$c28 cm.
504 $aIncludes bibliographical references (p. [259-274) and index.
505 0 $aBlack: the discredited signifier/signified -- Constructing and visualizing race -- The nineteenth century: imaged ideology -- Aunt Jemima, the fantasy black mammy/servant -- Jezebel, Olympia, and the sexualized woman -- Color lines: mapping color consciousness in the art of Archibald Motley Jr. -- The language of appropriation: fantasies and fallacies -- Turning in from the periphery.
650 0 $aAfrican Americans in art.
650 0 $aAfrican American art.
650 0 $aAfrican Americans$xRace identity.
856 42 $3Publisher description$uhttp://www.loc.gov/catdir/description/unc041/2002009070.html
856 41 $3Table of contents only$uhttp://www.loc.gov/catdir/enhancements/fy0632/2002009070-t.html