| Record ID | marc_loc_2016/BooksAll.2016.part27.utf8:58992017:1601 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_2016/BooksAll.2016.part27.utf8:58992017:1601?format=raw |
LEADER: 01601cam a2200349 a 4500
001 98103727
003 DLC
005 20120129080510.0
008 980113s1995 gw ag b 000 0 eng
010 $a 98103727
020 $a3795906849
035 $a(OCoLC)37241459
040 $aCUY$cCUY$dDLC
041 0 $aengger
042 $alccopycat
043 $ae------$ae-gx---
050 00 $aML3795$b.N42 1995
082 00 $a781.1/7$221
245 00 $aNew music, aesthetics and ideology =$bNeue Musik, Ästhetik und Ideologie /$cedited by Mark Delaere ; associate editors Helga De la Motte und Herman Sabbe.
246 31 $aNeue Musik, Ästhetik und Ideologie
260 $aWilhelmshaven :$bFlorian Noetzel,$cc1995.
300 $a202 p. :$bill., music ;$c21 cm.
500 $a"... contains the papers that were read at the international musicological congress New music, aesthetics and ideology (Leuven, 2-4 Mar. 1993). The objective of the conference was to reflect on the effects of the political upheaval (1989) on new music. The point of departure was German new music before and after the fall of the Berlin Wall. It was contrasted with British and Belgian new music"--P. 4 of cover.
546 $aContributions in English and German.
504 $aIncludes bibliographical references.
650 0 $aMusic$y20th century$xPhilosophy and aesthetics.
650 0 $aMusic$xSocial aspects.
650 0 $aMusic$xPolitical aspects.
650 0 $aMusic$y20th century$xHistory and criticism.
700 1 $aDelaere, Mark.
700 2 $aDe la Motte-Haber, Helga,$d1938-
700 1 $aSabbe, Herman,$d1937-