MARC Record from Library of Congress

LEADER: 01719cam a2200277 a 4500
001 94141130
003 DLC
005 20021207184108.0
008 940405s1993 mx af bc 001 0 spa d
010 $a 94141130
020 $a9681325915
035 $a(OCoLC)30629984
040 $aCoD$cCoD$dCoU$dDLC
042 $alccopycat
050 00 $aN6559.O44$bA4 1993
082 00 $a709/.2$220
100 1 $aMalvido Arriaga, Adriana.
245 10 $aNahui Olin :$bla mujer del sol /$cAdriana Malvido.
250 $a1. ed.
260 $aMéxico :$bDiana,$c1993.
300 $a175 p., lxiv p. of plates :$bcol. ill. ;$c23 cm.
500 $aAlso includes poetry written by the artist.
504 $aIncludes bibliographical references (p. 157-159) and indexes.
520 1 $a"Tells story of Nahui Olin (whose real name was Carmen Mondragon). Prologue is by Elena Poniatowska who calls the author 'woman, mother, and reporter.' In turn Malvido calls Olin 'poet, painter, and muse.' In reality, Olin was an exotic, mysterious and complex beauty with extraordinary, wonderful eyes, animal appeal, and an upper-class upbringing; a colorful character of the times. During 1920-30s, Olin's association - not necessarily professional - with the muralists, and in particular with Dr. Atl and with photographers such as Manuel Alvarez Bravo, Antonio Garduño, and Edward Weston, among others, produced audacious results for them. Work is entertaining despite poor layout. Reproductions confirm that the real talent of Ms. Olin was not in the plastic arts"--Handbook of Latin American Studies, v. 58.$uhttp://www.loc.gov/hlas/
600 10 $aOlin, Nahui,$d1893-1978$xCatalogs.
600 10 $aOlin, Nahui,$d1893-1978$xCriticism and interpretation.