| Record ID | marc_loc_2016/BooksAll.2016.part21.utf8:15085396:1191 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_2016/BooksAll.2016.part21.utf8:15085396:1191?format=raw |
LEADER: 01191cam a2200325 a 4500
001 91027246
003 DLC
005 20020918200758.0
008 910718s1992 njua b 001 0 eng
010 $a 91027246
020 $a0691099723 (CL) :$c$55.00
020 $a0691019177 (PB) :$c$24.95
040 $aDLC$cDLC$dDLC
043 $ae-it---
050 00 $aN6915$b.S54 1992
082 00 $a709/.45/09024$220
100 1 $aShearman, John K. G.
245 10 $aOnly connect-- :$bart and the spectator in the Italian Renaissance /$cJohn Shearman.
260 $a[Princeton, N.J.] :$bPrinceton University Press,$cc1992.
300 $axvii, 281 p. :$bill. (some col.) ;$c27 cm.
440 4 $aThe A.W. Mellon lectures in the fine arts ;$v1988
490 1 $aBollingen series ;$vXXXV, 37
500 $a"The National Gallery of Art, Washington, D.C."
504 $aIncludes bibliographical references and index.
650 0 $aArt, Italian.
650 0 $aArt, Renaissance$zItaly.
650 0 $aAudiences$xPsychology.
710 2 $aNational Gallery of Art (U.S.)
830 0 $aBollingen series ;$v35, 37.
856 42 $3Publisher description$uhttp://www.loc.gov/catdir/description/prin021/91027246.html