| Record ID | marc_loc_2016/BooksAll.2016.part06.utf8:148623888:933 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_2016/BooksAll.2016.part06.utf8:148623888:933?format=raw |
LEADER: 00933cam a22002171 4500
001 68024166
003 DLC
005 19900716094213.6
008 710304s1968 inu 00000 eng
010 $a 68024166 //r88
040 $aDLC$cDLC$dDLC
050 00 $aPN1995$b.S35
082 00 $a791.43/015
100 10 $aSarris, Andrew,$ecomp.
245 14 $aThe film.
260 0 $aIndianapolis,$bBobbs-Merrill$c[1968]
300 $a64 p.$c27 cm.
350 $a1.00
490 0 $aThe Bobbs-Merrill series in composition and rhetoric, 8
505 0 $aIntroduction, by A. Sarris.--Lolita, by P. Kael.--Elia Kazan, by E. Archer.--"Le roi du crazy," by H. Alpert.--"Elective affinities," by R. Greenspun.--The early work of Robert Bresson, by R. Roud.--The new wave, by J. Fox.--Invisible to the naked eye, by A. Croce.--No antoniennui, by A. Sarris.--Fellini's 8 1/2 [cent sign] fancy, by J. Simon.--Afterword, by D. Macdonald.
650 0 $aFilm criticism.